Catch up on our latest writing.
The Southbank Centre's annual Meltdown Festival took place this month, curated by Yoko Ono. We sent a crack team of writers to cover events, which explored themes of activism, feminism and the future. Words by Emily Bick, Charlie Frame, Chris Roberts, Steph Kretowicz, April Welsh, David Bennun, Tristan Bath, Joe Kennedy and Maddy Sparham. Photos by Katja Ogrin
Simian Mobile Disco's second live album offers an oblique answer to a series of questions about live dance music. Chad Parkhill presses the duo of James Ford and Jas Shaw about their motives in releasing this document of their show
As Wanda Group, Louis Johnstone creates beautiful, decayed landscapes of tape crackle, hiss and distortion. Ahead of a live show in London this Friday, he tells Matthew Kent about "having no clue what I'm doing" and dedicating albums to his now-junked old red car
With enigmatic and exploratory new album The Inheritors, Border Community boss James Holden trips further beyond the walls of the club into wild, elemental territories. He speaks with Harry Sword about the importance of throwing off limitations of technology, mindset and genre
Craig Terlino speaks with Les Claypool to discuss what to expect from this new deluxe edition, how the album has held up since its release, and to see whether it's still impossible to put your finger on their sound after all these years. Photos by Valerio Berdini
David Stubbs looks back at the life and legacy of James Gandolfini, who in his role as Tony Soprano changed our perception of television, and showed us not that criminals are just like us, but we are like the criminals SPOILER ALERT if you've not seen the Sopranos
Mad dog Englishmen Rory Gibb and Luke Turner go out in the Barcelona sun for Sonar Festival 2013, where they muse upon fantastic performances by the likes of Skrillex, Kraftwerk, Raime, Pet Shop Boys, Karenn, Diamond Version, Vatican Shadow, Liars, Prins Thomas, Todd Terje... all together now... OOOOF! Photos thanks to Sonar Press
Sexuality, masculinity, and childhood form an unholy thematic triumvirate in the work of Kirin J Callinan, who is about to release his debut album Embracism. Following a ferocious London show, he sat down with Josh Hall to discuss the split between his onstage and offstage personae