Catch up on our latest writing.
Nate Young has had a busy year, presiding over the return of Wolf Eyes on ferocious form and guiding his Regression solo electronic project into hypnotic zones. He speaks to Ian Maleney about improvisation, manual labour, and how Wolf Eyes are becoming even more unhinged with age
With The Orb's new retrospective box set recently released, Exotic Pylon lizard lord Jonny Mugwump speaks to Alex Patterson about industrial ambient dub, the social conditions that fed into the 90s rave explosion, and working with Lee 'Scratch' Perry
The richly textured pop of Larry Gus' latest album Years Not Living, released through DFA, emerges from a process of sound recombination inspired equally by literature and mathematics. He speaks to Ned Raggett about Borges, Ballard and a love of density in sound
Legendary Latin-jazz percussionist SHEILA E gives Simon Price a ticking-off for asking too many Prince questions. And tells him about her new album, her autobiography, her charity work, and her relationship the Almighty. Oh, and also about Prince. (A bit)
Gary Glitter has been omitted from a recent major compilation about glam. Johnny Sharp argues that such censorship and re-writing of musical history is dangerous, no matter how heinous the artist's crime. Photo from Shutterstock.
Spencer Hickman founded and runs Death Waltz Records, a label that puts out classic and obscure horror soundtracks in mouthwatering vinyl reissue packages. In a Baker’s Dozen Halloween Special, he chooses his favourite OSTs for us
Following the release of his 21st album, Electric, earlier this year, Richard Thompson talks to Tariq Goddard about why he prefers living in the suburbs, sidestepping 60s excess and his relationship with his back catalogue