Catch up on our latest writing.
All four members of cult stoner quartet The Heads talk to Tristan Bath about their "sloppy magnum opus" Everybody Knows We Got Nowhere (currently riding high in tQ's reissues of the year chart) and how releasing a record is like taking a big shit
In an extract from an essay taken from his co-authored collection with Lee Rourke, Trying to Fit a Number to a Name, Tim Burrows discusses the culturally (re)enforced and self-fulfilling stereotypes of the TOWIE Essex and the 'archetypal' UKIP-supporting Essex Man via Samuel Beckett, Wilko Johnson and Mike Leigh
Tim Burrows speaks to the all-female 70-strong Lips choir at their recent gig with Goldfrapp about the importance of creating autonomous spaces of song in a sexist and nasty age. Photographs by Hayley Hatton, live picture by Christie Goodwin
British Murder Boys, the twosome of Regis and Surgeon, are sadly now defunct. Before they both play on the same bill at Bloc this weekend, they talk to Luke Turner about Gene Vincent, the influence of pantomime and channelling the errant daydreams of winos into pummelling techno
Dale Lately submerges himself in the world of Austin Collings' The Myth of Brilliant Summers — a literary funeral pyre for rose-tinted spectacles of youth spent and misspent in the North —a once-real universe rendered in underpasses, morning hues and uneven teeth
With a show at London's Under The Bridge on 5 April, Michael Rother of Neu!, Harmonia, and a newly-boxsetted solo career takes Patrick Clarke through his life in 13 records, from Little Richard to Fuck Buttons, even though he doesn't really listen to music any more
In 2020, Belfast guitarist Joe McVeigh became the victim of a sectarian attack, his perpetrators leaving him “one kick away from murder”. Alex Rigotti digs into how this inspired Enola Gay’s new EP, as well as the links between raves, punk and folk music. CW: Contains image of violence