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Books
Short Fiction: Binary Star By Sarah Gerard
Extracted from the novel Binary Star, published earlier this year by Two Dollar Radio, Sarah Gerard's prose, both haunted and haunting, possesses a celestial quality seemingly drawn from the beauty of fluttering, astronomical luminescence and the terror of what feels a near-immeasurable vastness. In Binary Star personal reality becomes the vacuum and the horror of the metaphysical numinous abject. (Photograph by Josh Wool)
Books
An Interloper In The World: Confessions Of A Heretic Reviewed
Sophia Deboick considers the English-language version of Adam 'Nergal' Darski's autobiography, a work of more than just sensationalism for its own sake, via the Polish people's love for scrambled eggs, The Voice and polarising views on religion
A Quietus Interview
Positive Force: An Interview With Jam City
On his new album Dream A Garden, Jack Latham has taken a vocal stance in addressing political apathy and capitalist exploitation in his most direct work to date. In an in-depth conversation, Christian Eede meets him to find out why he's trying to translate his anger into optimism
A Quietus Interview
From The Archives: Manic Street Preachers’ James Dean Bradfield Interviewed
In 1994, the Manics released their career-defining third album, The Holy Bible - and Ned Raggett interviewed a young James Dean Bradfield. Here we look back across two decades of burning rage and cold fury, and publish that interview in full for the first time. Photographs courtesy of Mitch Ikeda
Books
The Bright Labyrinth: Chance And Repetition
In a selection of excerpts from his recent Strange Attractor-published book, The Bright Labyrinth, Ken Hollings discusses - via John Cage and Edgard Varèse - mass production, organisation, repetition and the (perhaps only) advantage human beings have over machines. (Illustrations by Matthew Frame)
A Quietus Interview
Perfection Is Boring: An Interview With Helena Hauff
Before she plays Bloc this weekend, the Golden Pudel resident DJ and producer has an in-depth conversation with Albert Freeman about the approach she takes to making music, the over-accelerated exposure cycle of new material and the creeping danger of virtual life
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