Catch up on our latest writing.
The prolific Finnish multi-instrumentalist has left behind his job as a part-time tram driver to produce one of the best pop albums of the year. With the record out this week and a London gig imminent, he talks to Laurie Tuffrey
In a Sunday Times Magazine interview this weekend model Ricki Hall told a journalist that he takes his fashion cues from children and the homeless. Karl Smith considers why it might actually not be okay to transfer the aesthetics of necessity and marginalisation to a position of extreme privilege
As British Sea Power revisit their debut album at a series of concerts up and down the land, Simon Price argues that this is no exercise in nostalgia but, as ever with this magnificent group, proof of their continuing significance. Photography by Valerio Berdini
Michael John sits down to talk with Laurence Scott — author of The Four-Dimensional Human: Ways of living in the digital world — about the erosion and universality of celebrity culture, economic claustrophobia, the nature of an ever-present digital past and the prophetic powers of The Simpsons. (Photograph: Jean Baudrillard — Saint Clement, 1987)
Repurposing discarded Walkmans, TVs and other scrap heap finds, Stephen Cornford's work erases the boundaries between music and sculpture. He tells Robert Barry why he's using it as a means to question our consumerist habits
A sunlit summer park in East London might be a million miles from grimy 1970s New York, but Chris Roberts finds true wonder in Patti Smith's performance of Horses on the Quietus/EYOE main stage at Field Day. There's life in the old nag that is rock & roll yet. Photos by Valerio Berdini
Ahead of their London concert at Village Underground this week, David Stubbs profiles the weird and wonderfully cosmic world of German experimental group Amon Düül, from commune life to psychedelic sonic wanderings to Baader Meinhof myths