Catch up on our latest writing.
In the final year of his university music course, Bristol producer Bruce decided to leave behind electro-acoustic experimentation to make self-described 'bangers'. He tells Glenn Raymond why he's hoping to shake people's expectations with his mangled dancefloor constructions
To mark the completion of — and provide some insight in to the work which collectively comprised — Rhizome and the New Museum's online-only Poetry as Practice exhibition, Sophie Collins sent a single set of questions to all six contributors, relaying below each of their voices in response to the ideas of translation and performance, poetry as media and digital media, the influence of the reader or viewer and the possible collapsing of 'poetry' as a discrete category
Pete Mitchell considers Yuri Herrera's Signs Preceding the End of the World — the author's only full-length work currently translated in to English — in the light and shadow of its macho, othering, counterparts in Anglophone border fiction, as well as its translated contemporaries, and the spectre of that last great imaginary line in the sand
Ahead of one of their all-encompasing, mind-unlocking, dance-starting, cortex-melting, immersive psychedelic events in Hackney this Friday, John Doran talks to the audio visual masters of (un)reality, Sculpture. Enjoy an exclusive audio/video transmission
Eric Obenauf, publisher and editor at the excellent Two Dollar Radio, talks to rightly-celebrated rock critic, writer and — as of this month — novelist, Carola Dibbell about being an out "women's libber" in the male-dominated 70s music-writing scene, the potential for stream-crossing in music criticism and fiction and, of course, her debut novel The Only Ones. (Artwork by Greg Skrtic)
On their debut album Coming Apart, the seething guitar noise of Kim Gordon and Bill Nace's Body/Head project possesses a strikingly raw emotional force. Petra Davis speaks to the duo about the meditative improvisational processes that went into its making