Catch up on our latest writing.
Politicised trio Algiers come roaring out of the American South with a righteous and heady mix of gospel, Rowland S Howard guitar noise and a drum machine. They speak to Luke Turner about the cultural void of Atlanta, colonialism, racism and the apathy of their peers
Before their appearance at Desertfest at the Camden Underworld this weekend, uber-heavy bass guitar maestros James Bryant and John Atkins of Palehorse salute their favourite bass albums with Kiran Acharya (and even include one that has no bass guitar at all)
As senior columnists and musicians complain that younger generations are no longer both musically and politically engaged, David Stubbs argues that rock and pop have never been the defiantly countercultural revolutionary corps that many claim
In the second instalment of his new column on contemporary poetry (abstractly titled 'Poetry Column'), Sam Riviere considers the writings of Chelsey Minnis, Frederick Seidel & Jon Leon from the starting point of Leon's own seemingly-innocuous declaration — taking in privilege, obscurity vs. self-exposure and the poet's own contempt for poetry en route — ‘Art is redemptive’
Lauren Oyler sits down with PEN/Faulkner Award-winning novelist Atticus Lish to discuss a simultaneous influence and eschewing of minimalism, the secondary nature of language, and the gift of autonomy in relation to his full-length debut — Preparation For The Next Life — via sartorial guidance and looking for ninjas in the phone book
The success of Record Store Day has come at the price of manufacturing backlogs at the US and Europe's few remaining pressing plants. Lauren Martin visits GZ Media in the Czech Republic and speaks to UK company Keyproduction to look at the manufacturing process of vinyl and find out how they work to meet increasing demand