Catch up on our latest writing.
A sunlit summer park in East London might be a million miles from grimy 1970s New York, but Chris Roberts finds true wonder in Patti Smith's performance of Horses on the Quietus/EYOE main stage at Field Day. There's life in the old nag that is rock & roll yet. Photos by Valerio Berdini
Ahead of their London concert at Village Underground this week, David Stubbs profiles the weird and wonderfully cosmic world of German experimental group Amon Düül, from commune life to psychedelic sonic wanderings to Baader Meinhof myths
Karl Smith sits down and talks - via the very real and very practical magic of Skype - with Chilean filmmaker, artist and novelist Alejandro Jodorowsky about the social purpose of myth, the tyranny of capitalism and fossil fuel extraction, the art of twitter and his life-long mission to heal himself and the world
Sound is not permanent, and much of the recorded recent history of humanity is currently disintegrating. Robert Barry reports from the British Library Sound Archive and Internet Archive to find out what's being done to preserve these audio records, and explains what you can do to help
With their fourth album, Last Of Our Kind, just released, the Lowestoft rock behemoths' singer and lead guitarist Justin Hawkins talks to Harry Sword in a wide-ranging interview, ranging from hedonism and touring with Lady Gaga to the travails of acid reflux and the "fucking genius" of David Hasselhoff
On their debut album Coming Apart, the seething guitar noise of Kim Gordon and Bill Nace's Body/Head project possesses a strikingly raw emotional force. Petra Davis speaks to the duo about the meditative improvisational processes that went into its making