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Catch up on our latest writing.
A Quietus Interview
Heading For The Sure: Jim Jones And The Righteous Mind Interviewed
After The Jim Jones Revue called time on proceedings last year, their main man decided he was ready for a new project, located somewhere between his old band's barnstorming rock & roll and dreamier territory. He tells Julian Marszalek about their "heavy lounge" before they make their UK debut
A Quietus Interview
Deeper Shadows: An Interview With Jaakko Eino Kalevi
The prolific Finnish multi-instrumentalist has left behind his job as a part-time tram driver to produce one of the best pop albums of the year. With the record out this week and a London gig imminent, he talks to Laurie Tuffrey
Black Sky Thinking
Derelicte: Ricki Hall, Fashion, Homelessness & The Language Of Privilege
In a Sunday Times Magazine interview this weekend model Ricki Hall told a journalist that he takes his fashion cues from children and the homeless. Karl Smith considers why it might actually not be okay to transfer the aesthetics of necessity and marginalisation to a position of extreme privilege
Live Reviews
Heroes Of A Parallel Present: British Sea Power Live
As British Sea Power revisit their debut album at a series of concerts up and down the land, Simon Price argues that this is no exercise in nostalgia but, as ever with this magnificent group, proof of their continuing significance. Photography by Valerio Berdini
Books
The Four-Dimensional Human: In Conversation With Laurence Scott
Michael John sits down to talk with Laurence Scott — author of The Four-Dimensional Human: Ways of living in the digital world — about the erosion and universality of celebrity culture, economic claustrophobia, the nature of an ever-present digital past and the prophetic powers of The Simpsons. (Photograph: Jean Baudrillard — Saint Clement, 1987)
A Quietus Interview
The Afterlife Of Sounds: An Interview With Stephen Cornford
Repurposing discarded Walkmans, TVs and other scrap heap finds, Stephen Cornford's work erases the boundaries between music and sculpture. He tells Robert Barry why he's using it as a means to question our consumerist habits
