Support The Quietus
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
Catch up on our latest writing.
This month’s column swings the focus to the unsung hero – the literary translator – but just as much on contemporary Swedish literature and inventive ways of publishing literature in translation. (Portrait of Saskia Vogel by Richard Phœnix)
As part of our running Peer Review series, where authors are interviewed by their contemporaries, Crispin Best and Rebecca Perry sit down - at different computers in different locations - to talk about avocados, the key events of 1983 and the titles that could have been for her recently-released book of poems, Beauty/Beauty
In claiming their new album The Magic Whip to be 'Asia-inspired', Blur have become the latest in a line of Western musicians to boil down the diverse cultures of the most populated region in the world into one nonsensical mishmash, says Sandra Song
In a busy month for his Straight Hedge column, Noel Gardner looks at trans visibility in the hardcore scene as he reviews a demo from G.L.O.S.S., and covers new releases from Dark Blue, Give, Cheena, Pertti Kurikan Nimipäivät, Karanteeni, Couch Slut, Generacion Suicida, G.L.O.S.S, Jackals, Mangle
Brussels-based producer Zoë McPherson's debut cassette/EP signalled an ascendant voice in electronic music, shifting through vocal-lined techno and ambient with shades of Muslimgauze, Vatican Shadow and Gazelle Twin. Now, she tells Tristan Bath how Irizajn was the result of pygmy vocal samples, ethnology tomes and technical experimentation