Catch up on our latest writing.
From a revelatory debut of Chilean post punk to gargantuan sound design, via left-field trad fiddles, sonic euphoria, and proof that dance music still has space for innovation, tQ's staffers round up the best that March had to offer
Serial collaborator and Propellor Orchestra leader Jack McNeill's long-awaited debut solo album is released today exclusively for tQ subscribers, a record that draws deep on his surroundings in Cumbria, but subverts our expectations of the clarinet as an instrument that hymns the pastoral
Darran Anderson sifts through all of the glorious rubble of German experimental music, psychedelic rock, avant funk and elektronische of the late 1960s onwards to hail an unbeatable trinity. All photographs by Maria Jefferis
Al Jourgensen's latest is a startling proposition – re-recordings of material that he outright despises, with a raging squirrel phallus displayed on the cover. It's also, says JR Moores, the best material the band's put out for years
Genre purism be damned – there is no surer evidence of jazz’s immortality than the enduring influence of Expansions, Lonnie Liston Smith’s ecstatic, eclectic and resolutely non-denominational call to spiritual arms, argues Stevie Chick
In this month's essay, Jeanette Leech seeks to reclaim the legacy of Elastica's vastly underrated second album from prurient mutterings about drug addiction and the collapse of Britpop, celebrating Mark E. Smith collaborations and the birth of M.I.A.
Daryl Worthington speaks to Turmeric Acid about telepathic collaborations, and reviews tapes of free-wheeling hardanger and Andean flute improvisations, sat nav fall outs, ecstatic noise and more in March’s dive into the cassette scene
A decade ago CdY couldn't understand why people compared her music to that made by a man in his seventies, but after listening to the work of Scott Walker she found much she approved of, including scatological humour. Main portrait by Dana Trippe, all other pictures by Haley Fohr