Catch up on our latest writing.
With Alessio Natalizia's eighth Not Waving record out on Diagonal Records tomorrow, Ed Power traces the influences that make up this LP of "dazzling communiques", from neurologist Oliver Sacks to Italian horror director Dario Argento
John Freeman heads up to Sunderland to eat falafel and meet with the Brewis brothers to find out why the sinewy pop of Field Music’s new album Commontime was inspired by fatherhood, Hall & Oates and hatred for a certain brand of 4x4 car
40 years after This Heat’s debut performance Charles Bullen and Charles Hayward are playing together for the first time since 1982 at London’s Café Oto. To celebrate we look at their fresh and forceful music that proved to be so far ahead of its time. All band photographs by Lesley Evans, courtesy of This Heat
Christian Eede kicks off the year in electronic music with a look at what may lie ahead in 2016, particularly for the UK's clubs, alongside releases from Shanti Celeste, Manchester's Meandyou collective and the South Africa-based proponents of the emerging Gqom sound
Soldiers, tequila and asti-spumanti slammers, ecstasy, guns, LSD, brandy and waitresses. The good, good, good, good, good, good, double-good recording of Bummed by the Happy Mondays as dimly remembered by Shaun Ryder, Bez and others and told to Daniel Dylan Wray
February's coming attractions include shows by Harmony Korine, Mark Wallinger, and Dinh Q. Lê plus a series of conversations, dinnertimes, and works-in-progress which render "the space between the works … as important as the objects themselves."
With the debate over #OscarsSoWhite coming to a head, it seems apt to remember that "diversity" isn’t about tokenism for its own sake. Through her experiences as a British South Asian, Tara Joshi considers the importance of representing non-stereotyped ethnic minorities in media, and why UK broadcasting needs to cop on