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After The Revolution: Russian Art At The Royal Academy

Following 2011's ecstatic survey Building the Revolution: Soviet Art and Architecture 1915 to 1935, the Royal Academy's new show of Soviet art from 1917 to 1932 strikes a more sombre tone

Uniform

Wake In Fright

Mica Levi

Jackie OST

Sampha

Process

Jeffrey Boakye On Wiley’s Godfather

In Wiley's final full-length offering, Jeffrey Boakye finds an album that both confirms The Godfather's position within the genre and the position of the genre itself – but it still doesn't feel like a career-closer

Lawrence English

Cruel Optimism

Moon Duo

Occult Architecture Vol. 1

A Tower Of Songs: Martha Wainwright’s Favourite Albums

In a revealing Baker's Dozen interview Martha Wainwright discusses family, love, parenthood and music with Elizabeth Aubrey. Portrait by Carl Lessard

Auditory Transcriptions: The Strange World Of… Lawrence English

Over twenty years of creating immersive soundscapes and joining forces with the finest musicians and composers across the globe, Lawrence English shows no signs of slowing down. He speaks to Brendan Telford about the aural ley lines that have led him on this journey

Straight Hedge: Punk & HC For February Reviewed By Noel Gardner

Noel Gardner is back in the punk, hc, crust, oi etc. saddle with reviews of Iron Reagan and Vexx... plus mix! Gutter Knife pic by Ben Hills

Porcine Pre-eminence: An Interview With Pigs Pigs Pigs Pigs Pigs Pigs Pigs

In the wake of a blistering debut LP and a trio of incendiary live shows, Patrick Clarke speaks to Newcastle's Pigs Pigs Pigs Pigs Pigs Pigs Pigs

Lift To Experience

The Texas-Jerusalem Crossroads

“Sound Is Expensive”: An Interview With Christine Sun Kim

Ahead of her performance at Cafe Oto's Kammer Klang on Tuesday, Craft/Work speaks to sound artist Christine Sun Kim about music, sign language, and silence

Full Clip: December And January’s Hip Hop Albums Reviewed

In her first monthly column, Tara Joshi considers Run The Jewels’ place as protest artists in the current political climate, as well as rounding-up the most notable releases of the past two months

Rhyme Over Reason: Pavement′s Brighten The Corners 20 Years On

Lesley Chow celebrates what is (arguably) the most lyrically inventive record of the 1990s

Decent Proposals: Peter Liversidge At Kate MacGarry

Peter Liversidge's pareidolia proposal, currently on view at Kate MacGarry, London, is one of the artist's milder suggestions

Pop’s Lingua Franca: La Femme Live At Le Zénith

Jeremy Allen enters the psychotropical live spectale of La Femme, who could be the next Christine and the Queens, if they'd only change

tQ Columnists Recommend Bandcamp Labels You Should Buy From Today

With Bandcamp set to donate 100% of their share from sales made today in response to Donald Trump's Executive Order banning citizens of seven predominantly Muslim countries from entering the US, tQ's columnists have got together to recommend labels you should be purchasing records from

“I Get Paid And We’re All Going To Die”: John Michael McDonagh Talks War On Everyone

John Michael McDonagh, director of Mexico-set Cop Caper War On Everyone, takes time out to give Ian Schultz a piece of his mind

The Month’s Electronic Music: Looking Forward

In the first edition of his Hyperspecific column for 2017, Christian Eede takes a look at what he hopes might be in store for the 12 months ahead, as well as reviewing releases from Shanti Celeste (pictured), Burnt Friedman, Leif, RAMZi and more. Photo courtesy of Nic Kane

Joseph Burnett On Shackleton’s Sferic Ghost Transmits

In Sam Shackleton's latest offering, Joseph Burnett finds a record occupying two spaces simultaneously – pushing both the legacy of Coil's post-industrial pagan folk tradition and testing a sense of "what might have been" for mid-to-late 00s dubstep

Elias Rønnenfelt Of Iceage & Marching Church’s Favourite LPs

Ahead of Marching Church's appearance at Roskilde Festival later this year, Elias Rønnenfelt guides Daniel Dylan Wray through his favourite 13 albums

The Reflection Of Emotion: An Interview With Sky H1

Before heading to 2017’s CTM Festival, the Brussels-based producer talks to Nikita Velichko about pouring her personal grief and worries into tracks

Embrace The Contradictions: The Strange World Of… The KLF

Following a wave of fevered speculation about the possible return of The KLF, AKA The JAMs, The K Foundation, K2 Plant Hire, the Justified Ancients Of Mu Mu etc., Ben Graham explores the mythology of Bill Drummond and Jimmy Cauty, in order to explain why any "reunion" is likely to be far more interesting than just another musical comeback

HBO’s Beware The Slenderman: A Very Modern Tragedy

This unsettling documentary about child-on-child violence is difficult to watch, but an important and powerful piece of work, says John Tatlock ****Contains mild spoilers****

21st Century Birth Pains: Electric Wizard’s Come My Fanatics Revisited

Dan 'The Doom' Franklin speaks to Chief Wizard Jus Oborn and gets the low down on how eschatological panic, Sabbath and drum & bass influenced Britain's most heaviocious band to give birth to the new millennium in the form of Come My Fanatics...

Short Shark Shock: Thirty Years Of Young British Artists

Three decades after they were dubbed Young British Artists, Robert Barry looks back at the work of a generation for whom conceptual art did not demand the denial of life and joy.

The Uncle Sold

Ed Dowie

Rockfort: French Music For January With David McKenna

David McKenna is back with reviews of Aquaserge, Ta-Ha, Le Vasco and more in his first Rockfort column of 2017

Overlooking the Outback: Australia’s Impressionists

At the National Gallery's Australia's Impressionists exhibition, Victoria Rodrigues O'Donnell finds hallucinatory effects mask colonial narratives

Elementary My Dear: Michael Andrews At Gagosian

From debauched scenes with Bacon and Freud to the gritty earth of the Thames Estuary, the paintings of Michael Andrews have a creeping sense of the uncanny

Primal Evidence: The Strange World Of COUM Transmissions

In COUM Transmissions the future members of Throbbing Gristle would intensely interrogate the nature of art and performance, along with testing their own experiential limits, across almost a decade of unique 'actions'. Join us on a journey through their strange world where their compulsion to find a pure and honest form of expression saw them tearing up taboos, severely unsettling the establishment on the way. Images thanks to the Tate Archive / Cabinet Gallery. WARNING - SOME IMAGES NSFW