Catch up on our latest writing.
Stewart Smith is back with all the juice you need to keep your jazz inhaler vaping: reviews of new albums from Mats Gustafsson, Robert Glasper, Donny McCaslin and Forebrace, along with a round-up of UK and US releases you might have missed over the summer months
In Oscar Powell's debut full-length, Rory Gibb finds confirmation of both the diagonal honcho's sense of humour and the curiously un-psychedelic quality of his music, as well as a new kind of inscrutability, rooted in detachment where previously it had been the product of anonymity
For the latest edition of Hyperspecific, Christian Eede casts an eye over some of the month's best reissues while reviewing new releases from Bruce (pictured), Call Super, Marie Davidson, Anthony Child and more. Photo courtesy of G.K. Stephens
Speaking to the author of The Heavenly Table about empathy with darkness, dead presidents and grotesquery, Sean Kitching finds a writer in possession of both a confident, unique - even defiant - sense of voice and serial doubts about his own success.
It's that time again. The month is over, things are beginning once more, and The Quietus is here to redress any imbalance it may have helped create. Bringing together the best music we reviewed in September, and the best of what we didn't, we present our 12-times yearly attempt at cosmic realignment
In the latest incarnation of DVA, a veritable Janus of culture, Ben Cardew finds a record out on its own, confounding as it is rewarding, weaving a complex sonic atmosphere framed by anxiety — at odds with categorisation but very much in line with reality