Catch up on our latest writing.
In the fortieth anniversary year of Philip K Dick's fortieth novel, Eli Lee finds a prescient and poignant work of grief, less concerned with sci-fi predictions of the future than with exorcising the ghosts of the past and confronting the quiet horror of addiction in the present
In The xx's third full-length effort, Luke Turner finds an album seemingly more geared toward the televisions syncs that catapulted their once affecting minimalism to ubiquity – a record more about treading old ground with heavy boots than the light touch their debut promised
Taking in science fiction and science fact, Karl Smith speaks to the Lithuanian producer, one of SHAPE Platform's selected artists for 2017, about false distinctions between the digital and natural words and the cyclical homogenisation of art
Reflecting at length upon his intimate relationship with British music from his office in Nashville, Tennessee, the alt-country veteran at the heart of Lambchop discusses freedom, interpretation and the lasting effect on him of 1970s Sheffield with Luke Cartledge
Yui Onodera’s music has the power to transform your listening space using insights the Tokyo-based composer gained from studying architectural design. With new pieces featured on the latest instalment in Kompakt’s Pop Ambient series, we discuss acoustics, ambient music and audio technology
You could release countless Bowie anthologies and never quite capture how special the Thin White Duke really is. Here, Chris Roberts, Nix Lowery, Joe Stannard, Frances Morgan, Petra Davis, Wyndham Wallace and John Doran reveal their favourite Bowie tunes which weren't smash-hit singles
It's that time of year when all sorts of snake oil salespeople fill our lives with guilt and shame with diet plans, dry January and, most recently, the idea of a digital detox. David Bennun stares gleefully into a glowing screen to tell them what for
In Alistair Fruish's groundbreaking one-sentence novel, author John Higgs finds – rather than the cold work of a computerised neural network one might be expecting – a piece of work that is testament to, both, the future of artistic originality and the human element of those works
Philip Anschutz, an ultra-conservative multi-billionaire, is making a fortune on counterculture via the tours and festivals he promotes. The profits indirectly benefit some grim causes - but what can we do against it, asks Joost Heijthuijsen
In Brian Eno's latest foray into ambient music – a generative piece of, quite literally, endless possibility – Andrew Lindsay-Diaz finds an answer to cynical critics of the genre, and a piece of work very much right for the present moment