Catch up on our latest writing.
As Jojo Orme announces details of debut Heartworms album Glutton For Punishment, she speaks to to Jeanette Leech about how fending for herself after a traumatic childhood led to her fierce DIY ethic, confounding sexist music blokes, and why you can love warplanes but still be anti-war
In the latest edition of New Voices Ukraine, tQ's new collaboration with 20ft Radio, Neformat, the British Council and Ukrainian Institute, Yaryna Denysyuk and Kseniia Yanus continue their examination of the DIY stations, events and communities that are providing a framework for the Ukrainian music scene
On the 50th anniversary of The Texas Chain Saw Massacre, Mat Colegate pushes back against the common consensus that its director Tobe Hooper spent the rest of his career merely failing to escape its shadow, and argues that he deserves just as much acclaim for the misunderstood filmography that was to follow
It's back nearly a quarter century in this month's antidote to the algorithm as Luke Turner revisits the heady Monday nights at Trash, where the arch and exotic rhythms and deadpan chat of electroclash soundtracked cheap booze and rent of early 21st century London
At odds with the world, with reality, with Britpop and with each other, Suede were in a terrible place as they wrote and recorded Dog Man Star. But, writes Matthew Lindsay, it's the album that would end up as their masterpiece. This feature was originally published in 2014
Meemo Comma, aka Lara Rix-Martin, speaks to Jennifer Lucy Allan about how the Strugatsky brothers' 1971 Soviet sci-fi Roadside Picnic formed the source material of her new album Decimation Of I, and the lessons she's learned from wider Russian science fiction
In the latest edition of our journey through the global underground, Álvaro Molina examines the steadily-diversifying sounds of Chilean DIY, from abstract hip hop to ambient deep listening, and picks out five crucial new releases
Jaša Bužinel addresses the "panopticonisation" of dance music culture, and reviews exciting new releases from various electronic realms, among them new albums by CS + Kreme, Lechuga Zafiro, Mala Herba, Rrose x Polygonia and more
As Sonic Cathedral prepare for a run of birthday gigs and a box set release, founder Nat Cramp reflects on how shoegaze went from being a dirty word to darlings of Gen Z via a new generation of artists like Whitelands, pictured here. Have a listen to a specially-compiled Spotify playlist here.
Tariq Goddard finds himself not just entertained but understood by Matt Johnson as he sees him perform new The The album Ensoulment in full before a run of greatest hits. But, in an era where music has ceded its centrality in everyday life, were he and 5000 others packed into an echo chamber?
The word 'ambient' is a misdirection worthy of the greatest illusionist, says John Doran, SAW2 is the work of a modern electronic composer, intent on destroying the boundaries between himself and the material of Cornwall which inspired him
In the latest edition of New Voices Ukraine, tQ's new collaboration with 20ft Radio, Neformat, the British Council and Ukrainian Institute, Yaryna Denysyuk and Kseniia Yanus examine the radio stations, small events and music schools that are forming the heart of Ukraine’s underground music communities
In this month’s podcast, Luke Turner and John Doran sing the praises of this collection of songs both original and covers, from Grace Jones’ artistic imperial phase, recorded at Nassau's Compass Point Studios in the early 1980s
As a composer and sound artist the Danish iconoclast has taken electronic music into new and arcane territories. Ahead of her appearance at Semibreve festival in Portugal she sits down with Jamie Ryder to discuss artistic histories, gut reactions and using human skulls as recording equipment
Fifty years ago, the Proms became the scene of a protest against the Soviet invasion of Czechoslovakia. It was a night of high drama, says Phil Hebblethwaite, defined by Russian cellist Mstislav Rostropovich giving a performance that has gone down in legend
As Darren Hayman prepares to release the last instalment of his Thankful Villages project just before the anniversary of the end of WWI, Luke Turner sits down with him to reflect on commemoration, memory, and the celebration of ordinary lives