Catch up on our latest writing.
Ahead of the reissue of Horizon Unlimited this week, Steph Phillips talks to Yeye Taiwo of legendary Nigerian Afrobeat group The Lijadu Sisters about revolutionising Nigerian pop music and how she is ready to go back on stage. Portrait of Kehinde & Taiwo by Jeremy Marre from the documentary Konkombe, courtesy Harcourt Films
'Thread head' Jude Rogers has spent decades in thrall to the notorious nuclear war television drama as well as recent months researching and writing a new BBC Radio documentary on it. Here she writes about being a member of an international community of fellow, often neurodiverse, obsessives who find companionship within the horror of its devastating frame
Ahead of a set at this year’s OUT.FEST and off the back of superb new LP Ficar Vivo, Caveira's Pedro Gomes speaks to Stewart Smith about Lisbon’s storied experimental underground, the importance of dramatic dynamics on record, and the art of improvisation
Kat Lister hits the road in the footsteps of Wim Wenders, travelling from Brooklyn to North Carolina, in search of the meaning of instant photography, looking for answers about the transience of life and the ephemerality of art
On March 10, 1997, Angus Batey was due to interview Biggie Smalls, a conversation that never took place after the rapper was fatally shot a day earlier. Here, he takes an in-depth look at the "masterpiece" that was the debut album from the hip hop luminary. This feature was first published on 11 September 2014
In this month’s antidote to the algorithm, Mat Colegate goes deep into the bloody realm of Italian schlock scores – Goblin! Libra! Daniele Pattuchi! The soundtrack to that film about PCP maddened animals attacking Frankfurt!
Twenty years on from the release of his first Solo Piano album, Gonzales writes for tQ on his regret that the music he helped to bring into existence now provides easy fodder for streaming algorithms, and piles of cash for a lazy music business.
Ahead of an appearance at Skaņu Mežs festival in Latvia, Derek Walmsley assesses to what extent Ae are unique in the world of electronic music given their live shows represent a space of spontaneous creation while the release of live albums and radio sessions have started to feel as essential as their studio output... if not more so
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
Coming swiftly after the dissolution of Black Midi, Geordie Greep sets out on his own with an album informed by the music of Latin America, Brazil in particular. Ahead of the release of The New Sound, Eden Tizard speaks to Greep about the audacious new record. Cover photograph by James Potter