Catch up on our latest writing.
Arusa Qureshi was never allowed a skateboard, but the soundtracks to Tony Hawk's Pro Skater series of computer games were a vital introduction to music – one that, she argues, was far more effective than today's algorithm-driven discovery mechanisms
In his latest French music round-up, David McKenna looks at what the French mean by ‘electro’ and delves into new releases from a multi-faceted Franco-Senegalese artist, guitar-and-damaged-turntable improv and more
‘Paintwork’, an album track from This Nation’s Saving Grace, is in some respects the key to the song-writing processes of The Fall. John Doran looks back to 1985 with some help from Mark E. Smith. Originally published in 2010
Following his involvement in Tai Shani's The Spell or The Dream at Somerset House, Mo'min Swaitat of the Palestinian Sound Archive tells Rob Corsini about how the project is preserving Palestine’s musical and cultural history
Begun in 2007 and finished towards the end of last year by a dedicated group of late frontman Tim Smith's closest comrades, Cardiacs' LSD is a triumph of creativity and friendship over adversity, and a testament to the enduring uniqueness of Smith’s artistic vision, says Sean Kitching
While black metal history is often the story of errant youth reaping chaos, Agriculture plough their own furrow. Dan Franklin meets a band who sow explosive seeds via songwriting and then reap joyous brinkmanship onstage. Main portrait by Olivia Crumm
Dopethrone, says Dan 'The Doom' Franklin, is the greatest album ever recorded; so great in fact that it splintered the band that created it. But one person was standing in the wings, with resurrection on her mind. Jus Oborn and Liz Buckingham discuss the 25-year legacy of Electric Wizard's most notorious album