Catch up on our latest writing.
Ahead of the North American premiere of their ongoing collaboration at this year’s MUTEK Festival, upsammy and Valentina Magaletti speak to Jennifer Lucy Allan about architecture as an instrument, and striking a balance between turbulence and clarity
Ben Pester's brilliantly surreal new book is a "horror novel about office work" where the monster is a business park. Here he takes us through the songs he played while writing and the songs the book seems to summon for him now it's finished and (almost) out in the world
Long before vocalist Rachel Brown began pursuing music, they dreamed of writing for the small screen. Ahead of releasing their disorientating, technicolour new album with Water From Your Eyes, they explain this lifelong passion to Alastair Shuttleworth
With his bruxaria sound, DJ K is working at the very limits of Brazilian funk. Eden Tizard dives into his latest album RADIO LIBERTADORA!, exploring the symbolic resonance of the colour purple, new sonic thresholds to adapt to, and a project of revolutionary witchcraft
DJ K, pioneer of a new brand of hectic, visceral and politically charged electronic music called bruxaria funk, speaks to André Forte about soundtracking Brazil’s favelas, and how his new album Rádio Libertadora has added polish to his sonic warfare
On superb new album Offshore, Nadeem Din-Gabisi speaks through a football kit clad alias to explore issues of belonging and identity as a second-generation immigrant in the shadow of empire. He tells Patrick Clarke about imagining a better future, the need to antagonise the far right and much, much more
As Warp reissue the first two albums from The Sabres Of Paradise, Lee Brackstone reflects on how Andrew Weatherall led bandmates Gary Burns and Jagz Kooner on a determined excursion through the twinkling, psychedelic sonic margins
Tony F Wilson – a lifer's lifer. His Quietus subscribers' mix comprises a depth charge exploration into an underground catalogue that dates back to the mid 90s. Chopped, screwed and spat back up with added venom. Harry Sword gets the (sub) low down.
So, you've only heard Sex by The Necks... well, where do you go next? Thirty years into a career of ever-blossoming sonic exploration, Joe Richards has been speaking to Tony Buck (drums and percussion) and Lloyd Swanton (bass), two thirds of The Necks, ahead of their European tour and sold out show at Café OTO