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In an extract form issue two of Somesuch Stories, through the lens of Mia Farrow Phliipa Snow considers the vampiric effect on and reaction of Hollywood's women of its men – the twisted and plentiful “Daddies”, looking for their daughter binary, to feed from and reshape
Over twenty years of creating immersive soundscapes and joining forces with the finest musicians and composers across the globe, Lawrence English shows no signs of slowing down. He speaks to Brendan Telford about the aural ley lines that have led him on this journey
With Bandcamp set to donate 100% of their share from sales made today in response to Donald Trump's Executive Order banning citizens of seven predominantly Muslim countries from entering the US, tQ's columnists have got together to recommend labels you should be purchasing records from
In the first edition of his Hyperspecific column for 2017, Christian Eede takes a look at what he hopes might be in store for the 12 months ahead, as well as reviewing releases from Shanti Celeste (pictured), Burnt Friedman, Leif, RAMZi and more. Photo courtesy of Nic Kane
In Sam Shackleton's latest offering, Joseph Burnett finds a record occupying two spaces simultaneously – pushing both the legacy of Coil's post-industrial pagan folk tradition and testing a sense of "what might have been" for mid-to-late 00s dubstep
Following a wave of fevered speculation about the possible return of The KLF, AKA The JAMs, The K Foundation, K2 Plant Hire, the Justified Ancients Of Mu Mu etc., Ben Graham explores the mythology of Bill Drummond and Jimmy Cauty, in order to explain why any "reunion" is likely to be far more interesting than just another musical comeback
Dan 'The Doom' Franklin speaks to Chief Wizard Jus Oborn and gets the low down on how eschatological panic, Sabbath and drum & bass influenced Britain's most heaviocious band to give birth to the new millennium in the form of Come My Fanatics...