Catch up on our latest writing.
Hey Colossus are stalwarts of the UK underground, a scene that has changed beyond recognition since they formed. Ahead of their set on our stage at Sea Change this weekend, bassist Joe Thompson looks at the rapidly changing world of DIY and asks, does the concept still exist? Photo by Julie R Kane.
The chance finding of a 1960 album on a long-gone American indie label led Phil Hebblethwaite into the enormous sound world of the supremely talented French composer Lili Boulanger, who set Psalms to music and might have written a requiem for her own death in 1918 at the tragically young age of 24
The Smiths’ last studio album was their most ambitious, adventurous and experimental, too. Thirty years on, Ben Hewitt looks back on the forward-thinking record that could have been the start of a new chapter, rather than a full-stop
Ahead of their collaborative ballet for eight guitar-wielding dancers, artists Ragnar Kjartansson and Margrét Bjarnadóttir talk to Craft/Work about music in space, dancing guitars, and making art in the shadow of Donald Trump
After becoming a target of online trolls from the alt-right's most lunatic fringes, the prolific master of noise and free jazz, Arrington de Dionyso, discusses his response: his visceral, confrontational new project, This Saxophone Kills Fascists