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Film
Why We Should Listen To Texas Chainsaw Massacre’s Score As Musique Concrete
Following the sad passing of Master of Horror Tobe Hooper, Charlie Brigden talks to composer Wayne Bell about the work that went in to the soundtrack of his most infamous and terrifying work, The Texas Chain Saw Massacre
Black Sky Thinking
Why America’s Anti-Fascist Students Are Their Nation’s Grown-Ups
In a year when American tensions have repeatedly come to a head at the University Of Berkeley, current student Veronica Irwin argues that its her generation of supposed snowflakes who are behaving with far more maturity than their elders
Anniversary
25 Years On: Happy Mondays’ Yes Please! Revisited
Yes Please! is the runt of the Happy Mondays’ litter, an album more likely to turn up on lists of career-ending releases and studio disasters than on playlists and radio. But as Yes Please! approaches its 25th anniversary, could this least redeemable of albums be due a critical re-think? Ben Cardew pushes for a place in history for this unique work of ageing, regret and disaster
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Album of the Week
Plague Island’s Youth Division: For The First Time By Black Country, New Road
Black Country, New Road are one of the most exciting bands in a standout London music scene, and this album is a candid portrait of where the band are at a few years into their existence, finds Cal Cashin
