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Is there anything to be gained in comparing hip hop as done by Drake and Kendrick Lamar? Tara Joshi considers the hierarchy of pop vs purism in the genre, alongside some of the most notable releases of the past two months
Ahead of British Sea Power's soundtracking of Polish animation at the Barbican as part of Kinoteka Film Festival and the release of new album Let The Dancers Inherit The Party, vocalist Scott Wilkinson guides Richard Foster through his favourite albums, from War Of The Worlds to Mighty Sparrow, Pavement and more. Photo by Mayumi Hirata
Why is it so difficult to revisit the strident political albums of one's youth? David Bennun returns to the once inflammatory Hypocrisy Is The Greatest Luxury and finds it’s so much smaller now, and didn't it all used to be fields around here?
This weekend The Barbican is presenting a specially re-edited and re-scored presentation of Henri-Georges Clouzot's great lost film The Inferno. We talk to Rollo Smallcombe about the challenges of re-framing one of the great missing movies
Ahead of the release of her third album under the Pharmakon moniker (and appearance at the Rewire Festival), and a decade since she first began the project, Karl Smith speaks to Margaret Chardiet about the unique power of noise, the peculiar vulgarity of human existence and the meaning of contact
Butthole Surfers guitarist Paul Leary talks to Ben Graham about the making of the band's classic 1987 album, Locust Abortion Technician, and how its traumatic closing track was actually influenced by a Carly Simon Bond theme