Catch up on our latest writing.
Marry Waterson might have been born into a folk dynasty but that didn't stop her becoming a biker. With a new LP out and her mother and uncle's Bright Phoebus LP recently reissued, she guides Jude Rogers through 13 favourite LPs from The Beatles to The Band and Billie Holiday
Jeffrey Boakye was going to write us a piece on why Mercury-winner J Hus ought to be the next British Poet Laureate but, halfway through, he realised that a movement, not an individual, might be deserving of the sack of sherry
Ahead of an appearance at Portugal's Semibreve Festival later this month, as well as the release of an upcoming mini-album, Christian Eede speaks to Visible Cloaks' Spencer Doran about fourth world concepts in music and the influence of Japanese ambient and Italian minimalism
To start our run up to Halloween, Thogdin Ripley and Philippa Snow of avant-horror publishers Hexus Journal pick thirteen films that blur the worlds of horror and the avant-garde to frightening, funny and sometimes shocking effect
In August, 95-year-old American composer George Walker had his first-ever piece performed at the Proms, as part of a concert that became the breakout story of the festival. In his own way, he’s as radical and pioneering as Nina Simone, who was famously refused entry to the same music school that Walker had already graduated from
Ben Salisbury and Geoff Barrow will be blasting live electronics into Galloway Forest tomorrow night, effects pedals and bacon in tow. Here, Salisbury gives us the inside track about the performance, as well as their work on the score for Alex Garland's new film Ex Machina