Catch up on our latest writing.
Phil Hebblethwaite invites you into Brahms’s German Requiem, one of the worst-named pieces of classical music in the canon. It has nothing to do with nationalism, or the church, and should have been called what Brahms later suggested: A Human Requiem. It couldn’t be more relevant in 2017
Ahead of his appearance at Unsound Adelaide, German dance music producer Erik Wiegand talks about pulling song titles from articles on dating sites, sculpting hyperbolic sounds and his first new solo album in 13 years, Superlative Fatigue