Catch up on our latest writing.
Debussy sparked a punk moment for classical music, says Phil Hebblethwaite. He uncluttered it and ensured, as the 20th century began, that none of the old rules applied. He died 100 years ago, after which his radical sounds weaved their way into almost everything we hear today
Even when Canadian singer songwriter and experimental musician Eric Chenaux is talking about cruising, dropping acid to the butthole surfers or dancing to D'Angelo he's actually talking about his philosophical approach to the inimitable music he makes. Or maybe even his approach to life itself. Words: John Doran. Home page portrait: JB Deucher
25 years on from Suede’s eponymously titled debut, Jeremy Allen rediscovers a record that shares a lineage with glam rock, music hall and Victorian burlesque and is not afraid to explore the underbelly of British sexuality. Photos courtesy of Suede/Pat Pope, John Cheeves, Phillip Williams
Black Eyed Peas have been praised for a supposed return to their "political roots" away from the "party bangers" of now-ten-year-old The E.N.D. But, argues Aida Amoako, the group have always had a politicised Afrofuturism at the heart of what they do.
So, you've only heard Sex by The Necks... well, where do you go next? Thirty years into a career of ever-blossoming sonic exploration, Joe Richards has been speaking to Tony Buck (drums and percussion) and Lloyd Swanton (bass), two thirds of The Necks, ahead of their European tour and sold out show at Café OTO