Catch up on our latest writing.
Robert Barry sits down with the no wave guitarist turned electric guitar ensemble composer, who holds court on phantom choirs, free improvisation, the emergence of no wave and Brian Eno (this archive feature was republished on 14th May 2018 on the news of Glenn Branca's death)
Rose Kallal straddles the art and music world, says Russell Cuzner. With a performance praxis that revolves around arcane video loops, and an album of dystopic synth soundtracks recently put out on Paul Purgas of Emptyset’s We Can Elude Control label, we sat down with her to discuss how technology, astrology and the elements are the hidden forces behind her mesmeric multimedia work
The American saxophonist and the British sound artist are collaborating on a series of live shows programmed by the national experimental touring network OUTLANDS, which is currently travelling across the UK. Claire Sawers speaks to the duo about their work together
Author Carl Neville examines two recent books bringing the Ccru project of hyperstition into the domain of political economy, the Will Davies-edited Economic Science Fictions, from Goldsmiths Press, and Repeater Books' Futures and Fictions
With the publication this weekend of Rob Young’s book All Gates Open: The Story Of Can, Sean Kitching chats to Irmin Schmidt about the development of the book, the origins of the band, and the surprising tenderness of Mark E. Smith
In an extensive #longread interview, Lisa Jenkins talks to Hanif Kureishi, author of The Buddha of Suburbia, Intimacy, and the films My Beautiful Laundrette and Sammy and Rosie Get Laid, about Trump, Brexit, David Bowie, and his new book The Nothing
It doesn't matter how much you love his solo work, Roxy Music were twice the band after Brian Eno left the fold, says Jeremy Allen in the latest instalment of our lockdown essay series. All photographs from Roxy Music Archive