Catch up on our latest writing.
Ahead of their appearance at Roskilde Festival next week, Lola Hammerich, the guitarist and singer of Copenhagen trio Baby In Vain, speaks to Jamie Walker about writing death into music, almost losing fingertips, and why London is a dangerous place to be a touring musician
Ahead of an appearance at Wysing Arts Centre's annual day festival in September, Discwoman's DJ Haram speaks to Kristen Gallerneaux and Bernie Brooks about the scene in her base of Philadelphia and linking up with Moor Mother and the Discwoman collective
Clara Schumann had one of the most extraordinary lives in 19th century music, says Phil Hebblethwaite. Against the odds, she made it as a pianist, and she ought to have been recognised as a great composer too
Ahead of this weekend’s debut performance of Pastoral at Supersonic Festival in Birmingham, Elizabeth Bernholz aka Gazelle Twin talks to John Doran about a vibrant psychic vision of English fascism and the devastating energy of motherhood
Just before premiering their brand new video for single ‘Synchronicity’ here and heading out to play some UK festival dates, Free Love, the girlfriend/ boyfriend synthpop duo of Lewis Cook and Suzi Rodden, FKA Happy Meals, lounged on the grass in a Glasgow park with Claire Sawers and talked clean buzzes, future utopias and why it was time for a new name
Cologne had Can and Jaki Liebezeit, South London had This Heat and Charles Hayward. Sean Kitching talks to the THINTH, Camberwell Now, Massacre and Monkey Puzzle Trio, drummer, singer and songwriter ahead of his performance at this weekend's Supersonic Festival in Birmingham
In 2012, Jamie Roberts, AKA Blawan, was poised on the verge of breaking through to a mainstream that he wasn't sure he wanted any part of and then fate intervened in the form of a life-threatening illness. On the release of his debut album Wet Will Always Dry, he talks to John Doran about how this ended up being a blessing in disguise
This weekend, Jay-Z and Beyoncé released joint album Everything Is Love exclusively via their Tidal platform. But with the record already on Spotify, Eamonn Forde argues that this is yet another vain lunge by the 1% and a platform that is failing to take off