Catch up on our latest writing.
Outlands is a new network of promoters, arts organisations and curators putting on strange and wonderful performances in the corners of New Weird Britain. Their last tour featured Beatrice Dillon making a racket to splatter sculptor Keith Harrison's Play-Doh - Jennifer Lucy Allan reports
A quarter of a century after the death of Derek Jarman in February 1994, Adam Scovell looks back at one of the most radical artists of his day, and wonders where we might find his ilk today. All images courtesy of the BFI.
For his new album (which streams in full below), George McFall has reverted to his given name, overcoming the need for an alias like Clean George IV. He has also reined in the rock guitars in favour of a more severe synth-driven sound, and found a new target for his sharp satire: himself. Photo by Kimi Gill
From its lurid aesthetics to its pulsing soundtrack, director Nicolas Pesce's second feature, Piercing, is a homage to the great Italian horror movies of the 1970s. Here he takes us through ten of his favourites, from Dario Argento to Lucio Fulci and beyond
Two new exhibitions at the Museum of Art Architecture and Technology (MAAT) in Lisbon, showcase Portuguese contemporary artists. Anathema, an exhibition of Ana Santos’s sculptural work and Architecture of Life, a retrospective of the installations and spaces created by Carlos Bunga
After five tumultuous years, Gum Takes Tooth have delivered one of 2019’s early standouts in the form of new album ‘Arrow’. Patrick Clarke meets the band to talk the realities of musicianship in London, automatic writing and the story behind their stunning third record. All pictures by Eric Oliveira.
From ignorant farmers to making one of 2018’s most revered records, Low and producer Kramer talk to Daniel Dylan Wray about the making of I Could Live In Hope, the album that started it all off, ahead of their appearance at this year's Rewire festival in The Hague
Last year marked the 50th anniversary of Witchfinder General. But in a world still characterised by corruption and violence, did we learn nothing from its warnings? Sean McGeady traces the film’s musical legacy and asks what keeps us coming back to it.
In the second of a series on the current Russian alternative music scene, We find out why hassles with venues and house hunting help set Moscow’s scene, tune into some wall-melting electro hybrids and try and fail to understand whatever passes for alt-jazz here. (Disclaimer, no rap!)
Late last week, veteran noise act Skullflower were dropped from the line up of Raw Power festival - yet for most of their lengthy career they have been considered apolitical. Here Dylan Miller considers the jigsaw of evidence against Matthew Bower and asks, 'What changed?'
The great actor Albert Finney, star of Tom Jones and Saturday Night, Sunday Morning, died from a chest infection on 7 February 2019, at the Royal Marsden Hospital in London. In a conversation edited from a telephone interview, the film-maker Suri Krishnamma remembers working with Finney on the film A Man of No Importance, which screens on BBC One this evening
Suzanne Ciani is an important and innovative figure in the history of electronic music, being one of the first owners and users of the Buchla modular synthesizer. Ahead of her appearance at Terraforma festival she talks to Ben Graham about the importance of spirituality in her practice