Catch up on our latest writing.
Getting Nine Inch Nails’ signal to cut through the insane noise of the digital marketplace has been 1% inspiration and 99% immolation, says Trent Reznor to John Doran. But does latest album Bad Witch mark the start of a new phase in their career?
Elsa Court unpicks the cinematic relationship between Agnès Varda and Jean-Luc Godard. With her new film, Faces, Places, in UK cinemas soon, and a retrospective currently on screen at the BFI Southbank, a reassessment of the often marginalised Varda feels more vital than ever
Fifty years ago, the Proms became the scene of a protest against the Soviet invasion of Czechoslovakia. It was a night of high drama, says Phil Hebblethwaite, defined by Russian cellist Mstislav Rostropovich giving a performance that has gone down in legend