Catch up on our latest writing.
There was a minor conference of whoppers recently when alt-right figurehead Jordan Peterson popped into Mumford & Sons' studio for a photo op. Jazz Monroe explains why this proves that music journalists and cultural Marxists were right all along
Getting Nine Inch Nails’ signal to cut through the insane noise of the digital marketplace has been 1% inspiration and 99% immolation, says Trent Reznor to John Doran. But does latest album Bad Witch mark the start of a new phase in their career?
Elsa Court unpicks the cinematic relationship between Agnès Varda and Jean-Luc Godard. With her new film, Faces, Places, in UK cinemas soon, and a retrospective currently on screen at the BFI Southbank, a reassessment of the often marginalised Varda feels more vital than ever
Fifty years ago, the Proms became the scene of a protest against the Soviet invasion of Czechoslovakia. It was a night of high drama, says Phil Hebblethwaite, defined by Russian cellist Mstislav Rostropovich giving a performance that has gone down in legend