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Catch up on our latest writing.
Kez Whelan turns his Sauronic eye on the lazy use of AI in metal design this month and praises bands – Judas Priest, High On Fire, Coffins, Inter Arma & more – still using their organic intelligence. Coffin Storm portrait by Christian Kickan Holm
When Einstürzende Neubauten formed in West Berlin 44 years ago, few would have predicted the speed-fuelled, metal-bashing industrial pioneers would be easing into their fifth decade by releasing their most coherent yet varied body of work so far. Frontman Blixa Bargeld tells Wesley Doyle how biological determinism, public improvisation and feather boas all fed into its creation
Having reached a peak of heavy music on last year’s Nature Morte, Montreal’s Big Brave speak to Patrick Clarke about embracing the intensity of quietness on new album A Chaos Of Flowers, and how taking lyrical influence from long-dead poets provided deep political resonance
“The internet is literally Thatcher’s Dream: an entire society of strangers out there working for themselves.” Aidan Moffat and Malcolm Middleton are back and – despite their protestations, says Elizabeth Aubrey – they patently care now more than ever
Arrests in Algeria, family blood feuds, unreleasable drone music, permanently broken friendships, magic mushroom vomit... Fat White Family may be poised to release a brilliant new album Forgiveness Is Yours, but as he reveals to Daniel Dylan Wray, the stress of keeping the show on the road is becoming too much for Lias Saoudi. All portraits by Louise Mason
With music venues in crisis, does celebrating them as places where bands appeared on the way to fame overshadow their true purpose as the places in which music is played for the sake of communal joy, asks Luke Turner
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