Catch up on our latest writing.
After the end of jazz outliers Polar Bear, their leader Seb Rochford underwent monumental personal change. He speaks to Patrick Clarke about re-connecting with his Indian heritage, studying under master musicians in Mysuru, and the ancient texts that informed his staggering new project
Outlands is a new network of promoters, arts organisations and curators putting on strange and wonderful performances in the corners of New Weird Britain. Their last tour featured Beatrice Dillon making a racket to splatter sculptor Keith Harrison's Play-Doh - Jennifer Lucy Allan reports
A quarter of a century after the death of Derek Jarman in February 1994, Adam Scovell looks back at one of the most radical artists of his day, and wonders where we might find his ilk today. All images courtesy of the BFI.
For his new album (which streams in full below), George McFall has reverted to his given name, overcoming the need for an alias like Clean George IV. He has also reined in the rock guitars in favour of a more severe synth-driven sound, and found a new target for his sharp satire: himself. Photo by Kimi Gill
From its lurid aesthetics to its pulsing soundtrack, director Nicolas Pesce's second feature, Piercing, is a homage to the great Italian horror movies of the 1970s. Here he takes us through ten of his favourites, from Dario Argento to Lucio Fulci and beyond
Two new exhibitions at the Museum of Art Architecture and Technology (MAAT) in Lisbon, showcase Portuguese contemporary artists. Anathema, an exhibition of Ana Santos’s sculptural work and Architecture of Life, a retrospective of the installations and spaces created by Carlos Bunga
After five tumultuous years, Gum Takes Tooth have delivered one of 2019’s early standouts in the form of new album ‘Arrow’. Patrick Clarke meets the band to talk the realities of musicianship in London, automatic writing and the story behind their stunning third record. All pictures by Eric Oliveira.