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The Paraorchestra is a collaboration between disabled and non-disabled musicians, composer Charles Hazlewood and singers including Brett Anderson and Nadine Shah. Anderson, Hazlewood and Paraorchestra members speak to Jude Rogers about the strange joy in singing songs about death. Photos by Kirsten McTernan
In a year that sees him finish his 'magical memoir', a new album with The Red Elastic Band and a career-spanning homecoming show in Liverpool, former Shack, Strands and Pale Fountains frontman Michael Head takes Patrick Clarke through the 13 records that shaped him
At the start of the 90s the astounding noise rock band Silverfish were everywhere – their shows nearly as ubiquitous as their Hips Tits Lips Power T-shirts – but since then they seem to have fallen irrevocably (and unfairly) down the memory hole. Keith Kahn-Harris catches up with band members today and asks: What happened?
Outliers in the thriving Ukrainian underground during the last days of Soviet rule, a long overdue compilation surveying the career of Cukor Bila Smert provides a complex mosaic of anxiety, surrealism, cabaret, paranoia and darkness, says Jakub Knera
Marc Riley, Craig Scanlon, Paul Hanley and Steve Hanley speak to Daniel Dylan Wray about a new release of archive recordings capturing Slates performed live in its entirety, how it’s helping them regain agency in a world awash with ropey Fall bootlegs, and what Mark E. Smith might have made of their plans
Apartment House leader Anton Lukoszieveze discusses 30 years of combining intricate compositions with a straightforward approach, the band’s performance of Nico’s The Marble Index at this month’s Bristol New Music, and the importance of beekeeping
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