Catch up on our latest writing.
Red Bull have announced the end of their well-loved music platform RBMA, after over 20 years of operation. Ed Gillett looks at how this decision fits into a wider pattern of narrowing, frailty and loss across digital music communities.
In spite of a gradually accelerating reappraisal, a full portrait of composer Julius Eastman will most likely never surface, says Aimee Armstrong. Instead we’re left to track him through anecdotes, odd photographs and his politically charged and aggressively honest personal composition. A preview for this year's Intonal Festival.
Sun Ra and Alice Coltrane become accelerating vectors , fast-forwarding jazz to new worlds on the new Comet is Coming album. But Trust in the Lifeforce of the Deep Mystery could appeal just as well to clubbers, grime fans and football hooligans, finds Mike Vinti
The release of a new version of Górecki’s Symphony No. 3 with vocals from Portishead’s Beth Gibbons is cleverly timed, says Phil Hebblethwaite. When the piece was first a hit in the early-90s, it offered respite at a similarly turbulent moment in history
Sean Kitching talks to Olivia Tremor Control co-founder, Will Cullen Hart, about re-injecting the psychedelic into 60s psych pop and the less immediately apparent influences that inspired The Olivia Tremor Control’s 1999 magnum opus, Black Foliage: Animation Music Volume One
Hundreds of musicians, curators, academics and more, from Brian Eno to Nitin Sawhney, Shirley Collins to Stewart Lee and Roisin Murphy, sign an open letter to the BBC about their disastrous cuts to their scheduling
In the third of a series on the current Russian alternative music scene, we call on St Petersburg and find out how past glories still play a part, where club culture and improvised spaces drive scenes and why the city has a #moody reputation. And discover some committed and blockbusting rock-electro hybrids. Disclaimer! No battle rap!