Catch up on our latest writing.
With his new book out now from Strange Attractor Press, A Hidden Landscape Once A Week: The Unruly Curiosity of the UK Music Press in the 1960s-80s, former Wire editor Mark Sinker tells Colm McAuliffe about the highs and lows of the old inkies and weeklies
From the 'uniquely identifiable sonic fingerprint of Elvin Brandhi to the double bass and field recordings improv of Imanishi and Serrato via Massimo Pupillo's debut solo album, here are the cream of this month's cassette crop reviewed by Tristan Bath
Wherein the towering frontman of The Pop Group and The Maffia takes occasional breaks from busting writer Dustin Krcatovich's chops to look back on four decades of fire theft, including the recently reissued 1983 album Learning To Cope With Cowardice
Hans Appelqvist’s latest stage show, which shows at Intonal festival, Malmö, Sweden, explores a controversial Japanese horror in the context of a first date. Matthew Neale talks to the Swedish artist about pornography, body genres, and why art doesn’t need to be therapeutic. Contains spoilers for film and show
Red Bull have announced the end of their well-loved music platform RBMA, after over 20 years of operation. Ed Gillett looks at how this decision fits into a wider pattern of narrowing, frailty and loss across digital music communities.
In spite of a gradually accelerating reappraisal, a full portrait of composer Julius Eastman will most likely never surface, says Aimee Armstrong. Instead we’re left to track him through anecdotes, odd photographs and his politically charged and aggressively honest personal composition. A preview for this year's Intonal Festival.