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Thou’s new album takes a brutal back-to-basics approach, all under the ruthless glare of frontman Bryan Funck. Dan Franklin speaks to him and guitarist Andy Gibbs about holding their feet to the fire, roughly dispensing with melody and, most surprisingly, The Mighty Boosh. Main picture of Thou live by Mae Cravotta
Two Quietus writers, JR Moores and Alex Maiolo, pay tribute to Steve Albini who died this week, remembering him not only for his innumerable contributions to music, but his humour, his generosity, his self-awareness, and his impact on keeping communities alive. Main photograph by Maria Jefferis
As they prepare to release their second album and embark on their debut UK tour, Canadian improvisational ensemble Earth Ball tell Julian Marszalek about advertising on an old mattress, their unconventional base in a “dirty, weird coal mining town,” and the cooperative joy of instant composition
Ahead of a new trio album and a show at this year's Acid Horse, Eric Chenaux takes Barnaby Smith through the thirteen albums that changed him, from the avant-garde to hip hop, traditional folksong to vintage Brazilian psychedelia and more
The story of Faust is one of the oddest in modern music, taking in terrorism, nakedness, cement mixers, prison and no small amount of groundbreaking music. Here, in an extract from a new oral history of krautrock, all of the major players remember the band's short, tumultuous and incredibly creative time at Virgin...
As festival season approaches, writer, memoirist and founder of the Class Festival of literature Natasha Carthew looks back to the 1980s and reflects on the influence of the anarchic Elephant Fayre on her life and work. Images courtesy of Port Eliot / Michael Barrett
The Paraorchestra is a collaboration between disabled and non-disabled musicians, composer Charles Hazlewood and singers including Brett Anderson and Nadine Shah. Anderson, Hazlewood and Paraorchestra members speak to Jude Rogers about the strange joy in singing songs about death. Photos by Kirsten McTernan
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