Catch up on our latest writing.
Keeley Forsyth’s debut album is an intimate document chronicling harrowing times. But, as she tells Derek Robertson, such darkness lies deep within us all, serving less as artistic inspiration and more as defining our shared humanity
A band featuring Mark E Smith's ghost writer, an ex-member of The Fall and Bill Ryder-Jones' guitarist are genuinely great and commendably angry, says Fergal Kinney. But should they really be punching in and down instead of out and up?
Jeffrey Boakye argues that the banning of Blue Story by two cinema chains shows how in the UK black art is held to different standards to everything else, and "a reminder of just how poised society is to reject blackness on the assumption that it can be a corrupting force"
You can call it “Crank Wave”, you can call it “Wonk”, or you can even refer to “It Might Give You A Headache But Boy Is It Exciting-core”, says John Doran, as long as you recognise the importance of the Speedy Wunderground label and drop the embarrassing references to IDLES and Shame
In a few months' time we're about to mark the 50th freaking birthday of Heavy F'n Metal, says Kez Whelan, so let's get the party started early with news of the year's best death metal album: Hidden History Of The Human Race by Blood Incantation, not to mention stellar cuts from Angel Witch, Caïna, Esoteric and Nile