Catch up on our latest writing.
In the fluid chaos and genre bastardization of noise, industrial, drone, no wave, and numerous forms of warped electronic music, Adam Lehrer finds an appropriate artistic embodiment of the condition of liquid modernity
This Sunday, musician Paul Purgas presents a documentary on the extraordinary and overlooked electronic music produced by the students of India's National Institute Of Design in the late 1960s and early 1970s. He speaks to Patrick Clarke about his discoveries
As he releases a beautifully reflective album on the fall-out from a broken love, Darren Hayman takes us through 13 favourite albums, from Miles Davis collaborating with John Coltrane via Cliff Richard, the kids from Fame, Liz Phair, Nic Jones, ELO and The Damned.
When once he would cane it like there was no tomorrow, Jason Williamson now prefers to bake banana bread in the kitchen and lift weights in his garden. Here, the Sleaford Mods man runs JR Moores through the kind of baking advice you don't get from Mary Berry
Compass Point Studios, and its house band the Compass Point All Stars, were going to be Chris Blackwell and Island Records’ defining statement to the world. Instead, they provided Grace Jones’s. And that, says David Bennun, looking back at the three extraordinary records she made there between 1980 and 1982, is more than enough
Edward Yang's domestic epic Yi Yi premiered at the Cannes Film Festival 20 years ago this week, where Yang won Best Director. Today, the film is a vital, tender resource on subverting midlife crises and saving lives through cinema, finds Ian Wang
From lockdown in Newcastle, Richard Dawson and Sally Pilkington have released over thirty new albums and counting under the new moniker Bulbils in an effort to cope with the coronavirus crisis. They tell Patrick Clarke the story of their beautiful new band.
Following sad news that Kraftwerk co-founder Florian Schneider has died, we present a specially compiled Baker's Dozen of artists including Michael Rother, Cosey Fanni Tutti, Marie Davidson and Mark Lanegan on their favourite music by the _kosmische musik_ masters
While doing her research for a meaty Kraftwerk retrospective in The Observer, Jude Rogers found out a fair few things that were a bit too Geek Central for the general broadsheet reader. Here follows therefore, 10 things you might not have known about Kraftwerk. Photo by Lucy Johnston
When we started The Quietus we made the fairly arbitrary decision that modern popular music started with Kraftwerk's 'Autobahn' in 1974. John Doran talks to Michael Rother, Hans-Joachim Roedelius and Karl Bartos about the build up to this flash point in musical history