Catch up on our latest writing.
In his latest survey of the French music scene, David McKenna takes stock of a tumultuous few months in French politics, picks some recent cultural highlights and reviews culture-straddling music from Marseille as well as new folk, occult rock and an adventurous gamelan ensemble
On the release of new documentary Since Yesterday: The Untold Story of Scotland's Girl Bands, Claire Sawers speaks to Sunset Gun's Louise Rutkowski and The McKinleys' Jeanette Gallacher to explore how sisterhood – in both a biological and symbolic sense – was both crucial to their creativity, and a cause for their dismissal by the wider music industry
50 years ago, John Cale found himself at Heartbreak Hotel, producing sweet and unhinged music from its rooms. Reassessing Fear, Slow Dazzle and Helen Of Troy, Darran Anderson explores the musician’s remarkable year-long burst of creativity for Island Records, half a century on
Clubs are closing, a new generation is less keen on going out and bashing their bonces with garries – yet raving is discussed more than ever, with endless books and academic articles discussing the dancefloor as a utopia. Chal Ravens asks what this phenomenon tells us about the state of modern raving.
As Jojo Orme announces details of debut Heartworms album Glutton For Punishment, she speaks to to Jeanette Leech about how fending for herself after a traumatic childhood led to her fierce DIY ethic, confounding sexist music blokes, and why you can love warplanes but still be anti-war
In the latest edition of New Voices Ukraine, tQ's new collaboration with 20ft Radio, Neformat, the British Council and Ukrainian Institute, Yaryna Denysyuk and Kseniia Yanus continue their examination of the DIY stations, events and communities that are providing a framework for the Ukrainian music scene
On the 50th anniversary of The Texas Chain Saw Massacre, Mat Colegate pushes back against the common consensus that its director Tobe Hooper spent the rest of his career merely failing to escape its shadow, and argues that he deserves just as much acclaim for the misunderstood filmography that was to follow