Catch up on our latest writing.
Ray Aggs speaks to Zara Hedderman about the music created during their Samarbeta residency earlier this year, exploring their relationship with folk music as a person of colour, and released exclusively to tQ subscribers today. Plus, exclusive footage documenting its process, courtesy of Low Four
As London's Night Czar Amy Lamé leaves her job this week, Ed Gillett investigates her failures and successes, the increasing politicisation of her role, and whether alternative approaches offer any chance of doing better
On the fortieth anniversary of Welcome To The Pleasuredome, Toby Manning explores how Frankie Goes To Hollywood's debut was the album that owned 1984, thanks to its ability to inhabit the liminal space between the queer margins and the straight mainstream
From demon-riffing drone-lords Bong to gruelling, piledriver punks Drunk In Hell, power trident-pronged psych outfit Blown Out, experimental soundtracking with Artifacts & Uranium, the atomic noise rock of Melting Hand and the crushing cosmic doom of 11Paranoias, plus a plethora of collaborations with luminaries from the Japanese psych underground, Mike Vest’s discography over the last decade is as dizzying as it gets. Ryan Walker attempts to deliver a guide to the 10 best points of entry
Yuma Hampejs and Marcel Schulze, authors of a new book, Eletronic Body Music, present a playlist that embodies the visceral, industrial heart of the genre, featuring seminal tracks from Front 242, Nitzer Ebb, Chrome Corpse, and more
Squarepusher once said he has no recollection of making Ultravisitor, his “spectacle of beauty and of terror”. As the record is reissued as an expanded edition for its 20th anniversary, Siobhán Kane returns to the record’s ambiguous beauty
Andy Abbott speaks to Kat Lister his new album as ADRA, born from his work as a creative practitioner on psychiatric wards, how working with service users challenged preconceptions about who experimental music is 'for', and how it's changed his own creative philosophy moving forward
On the release of a new compilation of Lou Reed’s 1960s compositions at Pickwick Records, Wayne Gooderham surveys the sprawling solo career that was to come later, and picks out ten key tracks that serve as guides to an intimidating post-Velvets discography
In this month’s essay, Stephanie Phillips reflects on the 1998 lo-fi, art pop album Julie Ruin, in which riot grrrl veteran Kathleen Hanna reaffirms her position in feminist art, while creating the building blocks for a dance punk future