Catch up on our latest writing.
Angus Batey finds permanence in a record that is often seen as a document of fleeting change and talks about "Hevvo"'s contentious reputation, slammed by Bill Drummond as "dull as ditchwater" in 45 and held up as art for the ages by Cathi Unsworth in Weirdo
Jazz may just be returning to the live stage, says Peter Margasak, but the musicians never stopped producing great music, and this month we cover new work from Maria Grand, Milford Graves & Jason Moran, and the new quartet Hearth