Catch up on our latest writing.
In this month's essay, Jeanette Leech seeks to reclaim the legacy of Elastica's vastly underrated second album from prurient mutterings about drug addiction and the collapse of Britpop, celebrating Mark E. Smith collaborations and the birth of M.I.A.
Daryl Worthington speaks to Turmeric Acid about telepathic collaborations, and reviews tapes of free-wheeling hardanger and Andean flute improvisations, sat nav fall outs, ecstatic noise and more in March’s dive into the cassette scene
A decade ago CdY couldn't understand why people compared her music to that made by a man in his seventies, but after listening to the work of Scott Walker she found much she approved of, including scatological humour. Main portrait by Dana Trippe, all other pictures by Haley Fohr
In this month’s antidote to the algorithm Puja Nandi celebrates five pioneering artists, from Asian Dub Foundation (pictured) to Osmani Soundz, who enriched the soundtrack of the pre-millennial UK by mixing drum & bass and electronica with the sounds of the Bengali diaspora
Though The Bends has since been overshadowed by what followed, its release 30 years ago found Radiohead on the cusp of stardom. Wyndham Wallace joins them on a journey from their early days to their inevitable worldwide breakthrough. This article was first published on 3 March 2015
Having failed to secure tickets for the big Black Sabbath farewell this summer, Kez Whelan wonders whether missing out might be for the best. He also reviews the latest from Intensive Care x The Body, The Overmold, Abduction and many more
Was disco the hated antithesis of all that was punk? Not according to OG punk rocker, Vivienne Westwood collaborator and Sex Pistols DJ Alan Jones. With his new book Discomania recenly published, here he picks his all-time top ten celluloid stompers