Catch up on our latest writing.
Keith Kahn-Harris argues that the Back To The Beginning show highlighted the pivotal role that the imperfections of the body play in metal. Live photographs courtesy of Ross Halfin. With thanks to Jasmine Hazel Shadrack
In an exclusive edited extract from Niko Stratis’s new book The Dad Rock That Made Me A Woman, the award-winning Canadian writer explores trans identity, the music of the American heartlands and how the Boss changed her life for good
Whether working in Blaxploitation, horror or sc-fi, auteur Larry Cohen was often battling against constraints created by money, time and his own skill set, says Mat Colegate, but ultimately he trained a satirical eye on America few could match
Born out of the febrile Basque Country experimental music community and infused with the weirdness of the early 00s New York noise scene, the former solo project of Bilbao’s Alvaro Matilla (now joined by Marta Sainz, Enrique Zaccagnini, and multi-instrumentalist, serial collaborator Mattin) sounds wild and untamed and bursting with possibility
Burning Down the House by Jonathan Gould tells the story of the American new wave band and the fertile scene they came up with, but does the book risk reducing the city and everyone in it to a backdrop for the group's mercurial lead singer? asks Elizabeth Wiet
A long-term fixture on Beirut’s underground experimental music scene, the latest from Sary Moussa is caught between the political and the personal, the whisper close and wide-open space. Wind, Again is an album whose contradictions make it all the more compelling, finds Kirsteen McNish