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Become a tQ Subscriber today to help champion new writing, plus enjoy bonus essays, podcasts, playlists and downloads.
In this month's essay, Skye Butchard remembers their dad's collection of cassettes on which he recorded the 1981 radio version of Tolkien's classic to reflect on memory, archiving, and how familial relationships and loss are intrinsically bound up with the culture we share.
In this month’s antidote to the algorithm, Mat Colegate goes deep into the bloody realm of Italian schlock scores – Goblin! Libra! Daniele Pattuchi! The soundtrack to that film about PCP maddened animals attacking Frankfurt!
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
Steve Stapleton has been helming the surreal and riotous psychedelic industrial experimental unit NWW for 45 years now. John Doran and Russell Cuzner look at their new release available to only tQ subscribers today and examine what makes them special
In this month's essay, Jim Gibson unpicks the cultural myths of the idyllic British countryside as he reflects on Duane Hopkins' 2008 film Better Things in the context of his own life in a rural working class community
Get your ears round hours of music here!
In this month's subscriber essay, Manu Ekanayake revisits the BBC adaptation of John Le Carré's Tinker Tailor Soldier Spy to explore ideas of Englishness and patriotism corrupted by the Establishment and private school system (note – contains spoilers!)
In this month's Low Culture Essay, Cathi Unsworth attends a beautiful night in tribute to Tim Smith of Cardiacs, speaking to those who knew, loved and played alongside this "musical Merlin".
As festival season approaches, writer, memoirist and founder of the Class Festival of literature Natasha Carthew looks back to the 1980s and reflects on the influence of the anarchic Elephant Fayre on her life and work. Images courtesy of Port Eliot / Michael Barrett
In this month's subscriber essay, Manu Ekanayake revisits the BBC adaptation of John Le Carré's Tinker Tailor Soldier Spy to explore ideas of Englishness and patriotism corrupted by the Establishment and private school system (note – contains spoilers!)
As festival season approaches, writer, memoirist and founder of the Class Festival of literature Natasha Carthew looks back to the 1980s and reflects on the influence of the anarchic Elephant Fayre on her life and work. Images courtesy of Port Eliot / Michael Barrett
J.R. Moores speaks to Mark Pilkington and DORANBOT-3000 (in place of our own John Doran) of Hitiloma about this month's tQ subscribers release – a collaboration with the mighty Nat Sharp recorded live at this year's Acid Horse
We've done something a little different this month and asked William Doyle to accompany his fantastic stripped-down release of three of his own songs and three covers with an essay about how he makes touring work financially – this is free to read to non subscribers too.
We've done something a little different this month and asked William Doyle to accompany his fantastic stripped-down release of three of his own songs and three covers with an essay about how he makes touring work financially – this is free to read to non subscribers too.
We love it when our subscribers send in suggestions of things for us to talk about – but do we love what they’re suggesting? Is Eurythmics’ soundtrack to the 1984 film 1984 doubleplusgood or does it send John Doran into his own personal Room 101? Find out here.
In this month's subscriber podcast John Doran and Luke Turner discuss Claire Denis' 1999 masterpiece Beau Travail
We love it when our subscribers send in suggestions of things for us to talk about – but do we love what they’re suggesting? Is Eurythmics’ soundtrack to the 1984 film 1984 doubleplusgood or does it send John Doran into his own personal Room 101? Find out here.
In this month’s antidote to the algorithm, Jeremy Allen takes us up to the far north of Norway and the emergence of the country’s techno scene