The Strange World Of...
Yoko Ono
Features
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Live Reviews
Dream Baby Dream: Unsound Festival Reviewed
Go to Unsound, they said. Go to Unsound, in a city where history crumbles with the plaste...
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Anniversary
Inviolability: John Cale's Fear Revisited
If upon hearing the Velvet Underground's first two albums it wasn't Lou Reed's hip verbia...
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Books
Short Fiction: 'The Old Country Speaks' By Julie Reverb
THE OLD COUNTRY SPEAKS Ted’s a bad god with a tight fist. My brother looks like him. The...
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Books
Post-Wounded: On Leslie Jamison's The Empathy Exams
If future historians use hashtags to graspingly define what constitutes post-millennial l...
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Books
Behold! October's Quietus Comics Round Up Column
Well, well. Seems we haven't had a Comics Column in quite some time. Apologies if we've l...
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A Quietus Interview
Before Cease To Exist: Kjetil Nernes On Årabrot And Cancer
Portrait by Pål Laukli Few noise rock bands have the longevity to last more than a few ye...
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Escape Velocity
Designing Experience: Klara Lewis Interviewed
Sitting in Victoria Station at 6:30 am with sad styrofoam coffee and two hours stretching...
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A Quietus Interview
Setting Fire To Field Of Reeds: These New Puritans Interviewed
At the event to unveil These New Puritans’ Magnetic Resonator Piano, one of the myriad of...
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Anniversary
A World That's Gone: Suede's Dog Man Star 25 Years On
Bernard Butler is in his West Hampstead flat, demoing material for Suede's eagerly antici...
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Live Reviews
Different Men: Culture Club Live, By Simon Price
"Hello, we're Culture Club", he says, with knowing redundancy. "Someone backstage just as...
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