The Strange World Of...
Yoko Ono
Features
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Books
Cult Of Memory: Simon Critchley Interviewed
"There is a sense in which the way we enforce remembrance produces obliteration" Simon Cr...
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Tape Adapter
Full Clip: October's Hip-Hop Albums Reviewed by Gary Suarez
Young Chop should've been where DJ Mustard is now, parlaying a couple of breakout hits in...
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Escape Velocity
Sense Of Emergency: Gwenno Interviewed
It's 10pm, August 6, 2014 and I'm stood in the middle of a dark field in west Wales. It's...
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Baker's Dozen
Beautiful Colours Everywhere: Dan Snaith Of Caribou's Favourite LPs
Photograph courtesy of Thomas Neukum On Facebook at the moment, you might have seen folk ...
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A Quietus Interview
An Endlessly Evolving Parable: Daevid Allen Of Gong Interviewed
So in the beginning, there were a bunch of green pot-head pixies in propeller hats bopping arou...
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A Quietus Interview
Points Of Sonic Identity: Daniel Lanois Interviewed
The cover art to Flesh And Machine - the tenth solo album by the unassuming musician, ren...
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In Extremis
Allow No Distractions: Marshstepper Interviewed
The photograph shows a man and a woman, both naked, holding up bowls, bathed in blue ligh...
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Live Reviews
Flying Lotus Live & The Tibetan Audiobook of The Dead
You don't come back from something like death. Those revived on operating tables or in am...
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Baker's Dozen
A Sucker For Melody: Martin Carr's Favourite Songs
Martin Carr, formerly of The Boo Radleys, bravecaptain and now recording under his own na...
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Live Reviews
Dream Baby Dream: Unsound Festival Reviewed
Go to Unsound, they said. Go to Unsound, in a city where history crumbles with the plaste...
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