The Strange World Of...
Yoko Ono
Features
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Escape Velocity
Ink From The Eyes: Jerusalem In My Heart Interviewed
Jerusalem In My Heart is the decade-long audiovisual project based around the Montreal-ba...
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A Quietus Interview
Space Celts & A Voyage Into The Avant-Garde: Enya Interviewed
Back in 2013 The Quietus published an article on the 25th anniversary of Watermark. It wa...
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Columnfortably Numb
Columnfortably Numb: Psych Reviews For November
Ivor Cutler used to sprinkle hundreds & thousands over dog shit. The poet, songwriter...
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Anniversary
45 Years On: Joni Mitchell's The Hissing Of Summer Lawns Revisited
Nobody has ever made an album like this. By which I do not mean, nobody other than Joni Mitche...
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Books
Behold! November’s Quietus Comics Round Up Column
Somewhere online I recently saw the observation that the comics release schedule is simil...
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Art
Beat Street: Graffiti Online And Off
Graffiti in Chicago, 1973, U.S. National Archives & Records, photographer: John H. White ...
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Art
Enter At Your Own Risk: Two Exhibitions at Turner Contemporary
Risk, installation view at Turner Contemporary. All photos: Stephen White Margate is ...
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Live Reviews
Theatre Of Extremities: On Red Bull & The QT Agenda At C2C 2015
During our Wednesday evening flight to Turin, a businessman roughly unfolds his copy of L...
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Album Of The Week
Anthony Child's Electronic Recordings From Maui Jungle Vol. 1
Let me remind you that Anthony Child released an album called Basictonalvocabulary way ba...
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Escape Velocity
Heavier Elements: Nicole Dollanganger Interviewed
Nicole Dollanganger has been making (and publishing) music for the last four years under ...
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