The Quietus - A new rock music and pop culture website

Baker's Dozen

The Golden Past: Marianne Faithfull's Favourite Albums
Joel McIver , February 4th, 2013 06:42

Following the recent reissue of her landmark album Broken English, and in advance of her 50th anniversary as a performer next year, Marianne Faithfull tells Joel McIver about her 13 favourite LPs

Add your comment »

Photograph courtesy of Patrick Swirc

It is 34 years since Island Records released Broken English, Marianne Faithfull’s seventh album in the 14 years since she had first emerged into the public eye in the not-yet-Swinging early to mid-Sixties. Both chunks of time are significant, the 34 because the album has barely dated a jot and the 14 because of the transformation which Faithfull had undergone (‘suffered’ might be a better word) since her career began.

In 1965, when the 19-year-old actor and singer released her debut album Come My Way, her image was one of a helpless pop waif, made slightly interesting by her links to European aristocracy. That soon changed: over the years between Come My Way and Broken English, Faithfull endured vilification by the establishment and press thanks to her romance with Rolling Stones singer Mick Jagger (for whom she left her then-husband, infant son in hand) and her unclothed presence at Keith Richards’ drugs bust in 1966. She also developed addictions to heroin and cocaine and spent periods of time homeless: so much for the 60s England of Carnaby Street and you’ve-never-had-it-so-good. As a result, Broken English was a pretty savage album, a resounding fuck-you to those who had written her off, and – ironically – a hit among critics and consumers alike.

“It’s an angry album, isn’t it?” remarks Faithfull, down the line from Paris, where she’s been living for some years. “It’s all a long time ago, of course, but in terms of music and projection, I can still feel it. I’m not angry any more, but Broken English was a very strong statement and it has lasted a long time. It doesn’t sound like a period piece to me.”

Far from it. It’s a curious album in many ways, a result of the many writers who contributed to it, but it’s as stark as ever. Songs such as ‘Why D’ya Do It?’, Faithfull’s graphic rendition of a woman torn by infidelity, and the title track, inspired by the Baader-Meinhof terrorist group, cut deeply to this day. Ostensibly easier-on-the-ear tracks such as ‘Guilt’, which deals with Catholicism-via-smack, combine something of the spirit of punk with Faithfull’s many influences, making them not really easy on the ear at all. To sweeten the pill, filmmaker Derek Jarman was commissioned to make an accompanying film conflated from three of the songs, which appears on the new, two-CD reissue for which Faithfull is currently doing press.

“Derek’s work was really lovely, and not really appreciated at the time, except by a few people,” she muses. “Now people really love it, and I’m so pleased, because people are a lot straighter these days, aren’t they? They’re not as repressed, of course, as we were when we were growing up.”

Nowadays Faithfull is a 66-year-old grandmother with a wistful tone clearly audible in the famous, cracked voice which she continues to employ in live shows and theatre productions. I have to ask if, when she looks back at those youthful high times, hanging with the Stones and riding the counterculture wave, she really enjoyed herself that much. “I had some great times,” she ponders, “but it was terribly difficult to be so young and not understand social intercourse at all, and being with people who were so much older. Some of my greatest friends, who are dead now, of course – and I wish they weren’t – were very subtle, clever, sophisticated people. I didn’t really understand a lot of what was going on until afterwards. That made me very fearful. There was a lot of fear in my life.”

She continues, “It would have been great to have had those few years where you go to college or university. It would have been very good for me. At that time I was going through all these incredibly intense experiences, of success in the pop business, which was hard in a way. I know it’s awful form to say that but it’s true. Having a baby, getting married, going off with Mick, falling in love, all that… it was very interesting. Almost too much for somebody of my age at the time.”

When did life start to get less intense, I ask? “The most important thing was getting clean, wasn’t it? That’s when I started to balance out. That wasn’t until 1986. It’s a long time ago now. I’ve had my hiccups, it hasn’t been continuous all the time, but I’m all right at the moment. I love living in Paris. God, I couldn’t stand living in Britain. The whole culture is very hard for me. I have a lovely time when I visit and see my son and my little granddaughter, who is just joy, more than anything, but if I actually had to participate in society, I wouldn’t be able to do it. It’s too naff. Too dumb.”

In 2014 Faithfull will be celebrating an unexpected anniversary of 50 years as a performer. “It’s a big deal,” she says. “I’ll make a new record, with just eight songs – I don’t know if I can come up with more than that – and we’re doing a beautiful big book with all the pictures of me, and there are thousands. There’s also a documentary film and a tour. I never expected a 50th anniversary, it’s fantastic and I’m very grateful. I’m in good shape and I don’t know anybody my age who works as hard as I do, although I can’t tour as much as I did because I get very tired.”

Numerous awards have come Faithfull’s way in recent years, notable among which has been France’s highest cultural honour. “I’m a Commandeur des Arts et des Lettres,” she chuckles, “along with Dizzy Gillespie and Clint Eastwood. It’s the top award. I wouldn’t want an English one.”

Don’t say that, I say. Who knows, maybe she’ll be on the Queen’s next New Year’s Honours list. “I don’t think so,” says Faithfull. “I’m too unconventional. My whole life has been the feminine Antichrist, hasn’t it?”

To read about Marianne’s favourite albums click the picture below

Marianne_faithfull_1359978095_resize_460x400



Post-Punk Monk
Feb 4, 2013 4:55pm

Wow! I'm gratified to finally hear that "Broken English" is finally getting a long overdue DLX RM! I'm just shocked that I found out about it in this context as I've been wondering when it would get "the treatment" for several years. More than anything, that album proves the adage that "one should record every album as if it were your last." Had she recorded nothing more, this album would cement her reputation as an artist. We'd consider it in hushed tones. Though it is a fully collaborative album with many capable contributors, without her participation it would not have succeeded so powerfully.

http://postpunkmonk.wordpress.com
For further rumination on the Fresh New Sound Of Yesterday®

Reply to this Admin

Rooksby
Feb 4, 2013 9:17pm

What a terrific selection - Marianne, you never cease to amaze!

Reply to this Admin

Phoenix
Feb 4, 2013 11:28pm

The original "Hurt" by Nine Inch Nails has no "tune". Hmm. Quite the questionable comment. Sounds like someone didn't actually give the song a full listen.

Reply to this Admin

Carol Crazedwitch
Feb 4, 2013 11:33pm

I really enjoyed this interview and reading about the albums.

Reply to this Admin

Linda B
Feb 5, 2013 10:54am

I've just given Cannonball Adderley's Somethin' Else a listen on the back of Marianne's Baker's Dozen - what a great LP! I'll be buying a copy a.s.a.p. xxx

Reply to this Admin

RTF
Feb 6, 2013 12:03pm

In reply to Phoenix:

Actually, she explicitly said that she was not familiar with the original version of "Hurt". Her comment was presumably based on other NIN songs that she had heard, in which case "tuneless" could well be a valid comment. Sounds like someone didn't actually read the full article.

Reply to this Admin

Michael Hiltz
Feb 9, 2013 3:04pm

I am so happy that Broken English has been remastered. I only wish that they would do the same to her "Strange Weather" cd. It is so ironic when Strange Weather came out I was not too crazy as it was not her usual pop albunm. I still bought it, but it was not played that much. Now I just adore Strange Weather and it is not available anywhere.

Reply to this Admin


Feb 20, 2013 2:58pm

What a wonderful article. Marianne has always been alive, interesting, creative, herself. I like her so much. Her era was my era and she bore the brunt, didn't she.

Reply to this Admin

Richard
Feb 24, 2013 2:00pm

In reply to Phoenix:

She says quite clearly she hasn't listened to the original. I think the "music with no tune" comment is a generalisation of what she imagines Nine Inch Nails to sound like. Personally I don't listen to Marianne as I imagine more than 30 seconds of toneless gravel woult do my nut in. However her appearance in JLG's Made In USA is pretty cool.

Reply to this Admin

Richard
Feb 24, 2013 2:04pm

Fantastic selection of albums. All pretty essential. I'm now a Marianne fan.

Reply to this Admin

wigwam
Jun 18, 2013 5:11pm

"Well, I think doing a whole country album wouldn’t suit me. It wouldn’t be Marianne Faithfull." Er... didn't MF do a 'country' album??? Or is Rich Kid's Blues not considered that?

Reply to this Admin