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The Hunter John Doran , October 10th, 2011 10:55

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Everyone loves a narrative. Few know this better than Atlanta Georgia sludge bastards turned heavy prog rockers Mastodon. Their breakthrough 2004 album Leviathan was loosely based on Herman Melville’s Moby Dick and their most successful album to date, Crack The Skye in 2009, concerns the adventures of a quadriplegic travelling the astral plain before accidentally getting stranded in Tsarist Russia.

For their fifth album The Hunter however they have abandoned theme and plot and just harnessed together 13 supremely belting tracks. The press and the public won’t let them slip out of story-telling mode so easily though. They have been saddled with the "new Metallica" tag for a long time and this “easy” album, full of potential radio hits (only one of the fourteen tracks is over five minutes long and some have massive “pop” hooks), will therefore be seen as their Black Album. But while The Hunter will be considered a massive success even if it sells one fiftieth the amount of Metallica’s self-titled LP, in artistic terms it is already clearly a vastly superior album.

Free from thematic constraints and genre demands for excessive displays of virtuosity, ironically they have been given the space to really flex their muscles. The down home ZZ Top boogie of 'Curl Of The Burl' - a song concerning drug-addicted woodsmen looking for interesting pine knots, doing fat lines of sawdust before going on an arboreal sexual rampage - is balanced out by two of the heaviest, face melting numbers they have recorded since leaving Relapse ('Blasteroid' and 'Spectrelight'). 'All The Heavy Lifting' looks back to some prime doom, and by that we don’t mean to Black Sabbath or Pentagram but to Mussorgsky’s 'Night On Bald Mountain' or Gustav Holst’s 'Mars', as played by King Crimson.

They break new ground on several psychedelic, space rock tracks, most notably the weird Flaming Lips/Keith Emerson sounding 'The Creature Lives' which is heralded by a fanfare of vintage MOOGs played in tribute to cult outsider R Stevie Moore before becoming an outsiders ode concerning itself with the lovechild of the Creature From The Black Lagoon and Swamp Thing. As you may have guessed by now Mastodon seem to have regained their sense of humour after some trying years. (This is reinforced when Brent Hinds sings the opening lines to 'Curl Of The Burl': "I killed a man because he kicked my goat.")

This is not to say that the album is lacking in introspection. The album's title track - a beautifully understated moment - is dedicated to Brent's brother Brad, who died while hunting late last year. Instead of the customary song about Joseph/John Merrick, the Elephant Man, the album closes on another tribute, this time to friend of the band, Susie Polay which is built round her mantra when alive: "Pursue happiness with dilligence." It is not unusual to hear metal/very heavy rock bands singing about death but it is more of a rarity to hear them singing about the loss of loved ones in such an open and thoughtful manner.

The Hunter is an example of how to crossover without selling out - something Metallica never learned - and no matter how many copies it sells, this is the mainstream heavy rock album of the year.

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Mark Eglinton
Oct 10, 2011 5:58pm

True Dat.

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Oct 11, 2011 8:28pm

I think people coming at this album without prior knowledge of Mastodon will fare better than the other way round. They've lost that sense of intrigue which made the previous album so great. Ironically, this time memorable choruses doesn't make a memorable album.

The two more melancholy tracks work best in my opinion - the title track and "The Sparrow". Fair enough, the rest of 'The Hunter' is rock with choruses but so was 'Leviathan', which rocked harder and is infinitely more memorable. This is so flaccid and disappointing in my opinion.

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Oct 13, 2011 2:32pm

In reply to Rich-T:

I agree: Blood Mountain and Leviathan are solid and sublime and wonderful achievements. For what it's worth this here record would have doubtlessly embellished the back catalogue of the Scorpions. In terms of Mastodon's level of creativity, however, it sounds like "Hooklines for the sake of devolution!"

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John Doran
Oct 13, 2011 4:19pm

In reply to wonderbrat:

Anyone stanning hard for Blood Mountain doesn't know what they're talking about. It's by far and away their weakest album. I loved Lifesblood, Remission, Battle At Sea and Leviathan when they came out BUT they're not a sludge/hardcore band any more. Get over it. You don't need to like The Hunter if you don't want but the sooner you get used to the fact there won't be another Blood and Thunder the better. I for one, am glad they're not just treading water.

The Scorpions comparison is just embarrassing. You may think it's a "zing" or what have you but it just makes you look clueless.

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Bertrand Van Asch
Oct 14, 2011 4:42pm

I agree with this article. Nice album.
Saw Mastodon live for the crack the skye tour, and was blown away by brent hinds guitar skills, and the music in general. But very disappointed with the vocals.
They actually "sing" a lot more on this record. Which I like.
And that sounds so very far from the exhausting mr Hetfield.

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Oct 21, 2011 2:31am

mr doran , your supposed to be reviewing the hunter...not slagging/hating metallica....can we have some proper reviews please !!! PS..i love the hunter

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Nov 2, 2011 3:04am

Man I love everything about this band and this album. The riffing on Octopus and Bedazzled Fingernails is intense as all get out. This is great stuff

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Mar 21, 2012 3:45am

I'm new to Mastodon. started with Leviathan and was blown away, particularly by Blood and Thunder and Seabeast. I got Hunter a week later and, while well crafted, it seems too polished and conservative for its own good. I just picked up Crack the Skye and am amazed by talent and creativity. Mastodon truly rules

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Sep 7, 2012 5:24am

In reply to John Doran:

I'm afraid I just stumbled across this:

“A quietus interview
Mastodon On New Album And Supporting Metallica and Slayer John Doran , November 4th, 2008 10:52 […] It is over two years since we were treated to Mastodon's dizzying major label debut Blood Mountain and the metal arm of The Quietus is fully primed to receive another dose of mammoth-heavy, concept driven, progressive death metal thrash.”

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