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Iron Maiden
The Final Frontier The Quietus , August 11th, 2010 07:58

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There was much murmuring when the title of Iron Maiden's 15th studio album was revealed. The Final Frontier. Were one of the most successful British bands of all time - heavy metal or otherwise - about to knock it on the head? Especially with founder Steve Harris always saying 15 albums was always his target.

As it happens, and on this evidence, thankfully not. The title - tied into some running space related themes - was merely a bit of a lark. Maiden are at a peak both creatively and in terms of their ever growing, ever youthful fan base, and probably enjoyed the kerfuffle it caused. And good for them; there really can't be many bands around who, after 30 years, could still cause such a huge wave of disappointment if they decided not to produce any new material. Most are happy (and God love em’) playing the hits while new releases are met with a distinct 'if we must...' rolling of the eyes by fans and media alike. Maiden still create an air of expectation around the world that few can match; not just tolerated, but genuinely anticipated.

The true mark of how Maiden do things is the way they balanced the release of 2006’s superbly dark A Matter of Life And Death and the growing cry for classic era Maiden by touring both. Playing the whole of A Matter of Life and Death to packed arenas and stadiums followed by taking the classic Somewhere (Back) In Time tour with all its history and in all its detail to the same places. Different approach, same result: crowds revelling in the almost obscenely majestic spectacle of it all. A band who can still sprint around the stage like teenagers. How men of a certain age weighed down by 30 years of touring and some pretty serious beer consumption have this much energy is a mystery in itself; I've run two London Marathons, but they’re ridiculous.

The Final Frontier kicks off with a blinding scurry of futuristic noise which grinds and pummels the record into life and leads into the stunningly Maideness’ of the opening few tracks. Sounding more alert and wide-eyed than ever, they lurch from the intro into the title track, a tale of a space explorer desperate to say goodbye to his family as he enters the unknown, into one last grand adventure. First single 'El Dorado' is summed up beautifully by someone I know thus: "burn in… gallop… burn out… textbook Maiden". And that’s also what we get through 'Mother of Mercy' with its bold strokes - a long, lean intro which draws us into a story of warfare before cannon fire drums and the familiar chug of Steve Harris bass take hold. Again, it’s Iron Maiden to its core, which isn’t to say predictable, or uninteresting - this is just exceptional Maiden. A band doing what they do best and what we, in turn, crave from them.

'Coming Home' is a song people will hang their own meanings on, but is ostensibly about returning to the heart of your family, your friends, whether that be after a world tour – a tour of duty – or anything that keeps you away from home. Look no further for your ultimate 2011 beers-aloft moment: anthemic sing-a-longs do not get bigger, brassier or better. Bruce Dickinson manages to have a twinkle in his eye and at the same time radiate incredible sincerity. When he sings about returning to ‘Albions land’, he means it. It's nostalgic on every conceivable level and, in the hands of another band, could have sounded trite or lightweight, but injected with that certain something Maiden possess sounds incredibly meaningful. 'The Alchemist' also harks back to classic Maiden – tall tales wrapped up in bombastic, furiously paced delivery and tied together with immense riffs.

So far, so very very good – five tracks of unequivocal Iron Maiden. But this is where the listener really earns their reward. 'Isle of Avalon', all nine minutes plus of it, starts in a folky, progressive mould with an intro both delicate and dark, storm clouds (literally) rumbling overhead. The way Maiden have laced these elements together with their usual fearless approach is something to behold. Killer riffs once more prevail, evoking Floyd in the way they layer and build again and again before dropping back into what feels like a tight jam with an instinctive burst of fire-power; peaks upon peaks, waves upon waves.

'Starblind' is perhaps the track on the album that falls somewhere between the different approaches. Though disjointed and at times off kilter it still displays some exceptional musicianship and some sweeping key changes. 'The Talisman', meanwhile, also starts with a gentle, acoustic guitar and Bruce sounding like the master of myths and legends, telling stories to fellow seafarers while they blow the froth off another ale - holding court until the music kicks in once more with a savage, almost unparalleled urgency as Harris and McBrains' incredible rhythm section once again explodes into life. 'The Man Who Would Be King' is another larger-than-life legend, with its constantly climbing, ever upward riffs, verging in parts on the psychedelic but reigning itself back in just in time for more no-nonsense, heads-down, foot-on monitor-assaults.

The end flourish is the 11-minute, Harris penned 'When The Wild Wind Blows' - a tenderly crafted, deceptively complex song which tells the sad tale of a couple who are so convinced an earthquake is actually a nuclear explosion, and fearing the fallout, poison themselves. It's a track that's sure to divide opinion, but what's clear is that most bands would kill for an ability to take their music by the scruff of the neck in this way, with an air of confidence that only comes with experience.

Iron Maiden, then. 15 albums and still a relevant force. Still producing records and live shows that keep them, deservedly, at the very top of their game. The Final Frontier takes time, it take effort, but it's overwhelmingly brilliant. They haven’t just served up the easy option - that would have been boring for us and, more importantly you feel, boring for them. It’s a great time to be an Iron Maiden fan – but then again, it always has been...

Tony Hampton


Aug 11, 2010 6:55pm

nice round up at the end. best family in the world to be a part of. up the irons ^_^

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Aug 12, 2010 2:09am

Is this review to be read ironically, or is it simply lacking in critical distance? If the latter, it belongs on as a doting fan's customer review. Unless--and I will admit the possibility--this is the best bloody album ever laid down by humankind. And it would need to be to deserve these shovelfuls of smouldering prose, this uncritical adulation.

By the way, please learn the difference between "rein" and "reign".

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chris from
Aug 12, 2010 3:17am

'if we must...'

how many AC/DC albums is too many? (but don't tell that to AC/DC fans, they're a bit surly)

what a fantastic album - its remarkable youthful it sounds and how it never fails to fall below the phenomenal level of craftsmanship that we've come to expect from the band.

cheers Tony.

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Aug 12, 2010 3:42am

Wonderfully written review, mate. I cannot wait to hear the new Maiden already, but you've whetted my appetite for it even more. It's amazing (but not surprising, somehow) that of all the classic metal bands of my youth - Maiden, Priest, Sabbath - only Maiden has not only survived, but thrived. I've been listening to them for 20 years now, and they're one of the few bands from my youth that I didn't lose interest in or outgrow. They just have that magical chemistry about them.
Up the Irons!

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Gnome Enthusiast
Aug 12, 2010 11:55am

I'm very excited to hear this album. The reviews are remarkably consistent in their descriptions and high praise. Five more days, here in the US.

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Aug 13, 2010 7:33am

this is the best review i've read.
why do i read reviews after i already heard and loved an album?
so that i am sure that i have not gone insane...this is a great album and i am very proud to be a MAIDEN fan...And i have a genuine feeling of attacking whoever has a different opinion...NO , just kidding...It's just that some people love to differ and thus become annoying as a bug in your ear.How can you bash this album by saying this is much worse than BRAVE NEW WORLD? Logic thrown out of the window...

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Aug 13, 2010 11:57am

That was a gush, not a review.

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Aug 13, 2010 1:18pm

I have the album and this review is spot on. It's a very good Iron Maiden album. A very very good maiden album

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Aug 14, 2010 4:14am

I am blown away! This is already my FAVORITE Maiden CD ever!

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Aug 14, 2010 9:26pm

It never fails to amaze me how many people read reviews of albums they would never dream of buying in a month of Sundays, by bands they obviously have no time for. I think someone needs to find a dictionary and look up the word 'pun' - The name of the song where the reviewer writes 'reign' instead of 'rein' is The Man Who Would Be King.

I have not heard the album enough times to give an opinion. Not unlike their last album, it is obviously going to take a lot of effort, but it is obvious that the exeptional musicianship and composition is still there in all it's glory.

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Aug 17, 2010 3:34pm

Very nice review congrats, and waiting to buy the final frontier best for all

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Aug 18, 2010 1:09pm

Actually it's not a "gush" as someone stated in one of the posts. The reviewer speaks the truth; this album is all KILLER and no FILLER. I've literally been listening to it for 48 hours straight since I bought it. And to aragato, I've read many reviews on the album (like as one other poster stated, to make sure I'm not insane in loving the album so much) and they're consistently full of praise.

Four words - UP THE F#CKING IRONS!

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Aug 19, 2010 5:05pm

Well, I think the new disc have many problems, the Final Frontier World Tour setlist contains not to many songs of the Disc, but the best songs, like the Wicker Man, I hope this is not the last Iron Maiden album.

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Aug 23, 2010 9:08pm

Your review is nearly as brilliant as the subject matter. Thank you for understanding, and putting into words.

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Robert Fairbairn
Sep 1, 2010 7:13pm

I Have been a iron's fan as long as the band has been around from day one, but the new album is brilliant, love it, well done Bruce and the boy's. 666 The Best.

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Oct 30, 2010 12:46pm

Dear lord me I would rather listen to the anti nowhere league. Please geezers no more

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