A Quietus Interview
Gaahl Of Wardruna
Features
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Tape Adapter
Tape Adapter: April's Hip Hop Mixtapes Reviewed
April showered us with tapes, a clear indication of the crowded hip-hop marketplace we ca...
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Tome On The Range
Adam Thirlwell On The Great Gatsby
Three Notes on Gatsby, The Great Gatsby, & Gatz, With a Coda 1. I am definitely easi...
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I Am Demo Suzuki
I Am Demo Suzuki! Sophie Coletta's Column Returns
Welcome to May's installment of I Am Demo Suzuki. This month's selection of unsigned and ...
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A Quietus Interview
'Everything Is Choreography': The Knife Interviewed
Photographs taken at the Roundhouse by Howard Melnyczuk The Knife's Shaking The Habitual...
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In Extremis
New Wave Of Dutch Heavy Jazz: Dead Neanderthals Interviewed
Photo by Sas Schilten 'FUCK conventions and FUCK expectations', declaims the website of D...
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The Calvert Report
Flash & Blitz: Beyoncé Live In London, By John Calvert
Beyoncé drinks Pepsi, wears the clothes she's selling, asks us "What is seduction?" ("Sed...
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Anniversary
The Jesus And Mary Chain Barbed Wire Kisses 25 Years On
I love Psychocandy, I adore Darklands and I’m also pretty crazy about the befuddlingly un...
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Tome On The Range
Superflous Fetishisation: Ned Beauman On The Great Gatsby
There is not yet a Great Gatsby theme park in New York, but it's possible to assemble one...
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Tome On The Range
Away From Prying Eyes: Dan Richards' Holloway
‘Like creases in the hand, or the wear on the stone sill of a doorstep or stair, they are...
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Three Songs No Flash
Spreading The Privilege: The Knife Live In London
The Knife's most recent album Shaking The Habitual has been a jolt for fans of their stel...
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Julian Cope
Chris Corsano & Bill Orcutt
Kylesa
Kanye West
Polysics
The Cleaners From Venus 
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