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Features
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Baker's Dozen
Anthems: Laibach's Favourite Albums
Photograph courtesy of Eva Kosel OK, this was an unexpected call; we were asked by the Qu...
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A Quietus Interview
The Bone Machine: Gum Takes Tooth Interviewed
There are a multitude of methods that musicians can utilise to create and sculpt sound. F...
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Escape Velocity
Boundless Sounds: An Interview With Solar Bears
Photograph courtesy of Dorje de Burgh As a creative capital, Dublin has spawned its fair ...
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Strange World Of...
Why Study Art When You Can Make It: The Strange World Of… This Heat
Back in the mid-Seventies, unlike many of their contemporaries more comfortably bracketed...
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Hyperspecific
The Month's Electronic Music: Casting Ahead
With this column perhaps slipping into a course of irregularity last year owing to variou...
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Features
Driff-Raff: Happy Mondays, Bummed & Driffield
Of the four albums the Happy Mondays recorded during their first incarnation (1980-1993) ...
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Art
Round ’Em Up Let’s Go: February Exhibition Previews
Harmony Korine, Watermellon Circle, 2015, © Harmony Korine. Courtesy the artist and Gagosian...
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Art
An Imaginary Menagerie: Christiana Soulou’s Drawings After Borges
Christiana Soulou, Sky Blue Licorne Horses, 2014, Copyright the artist, courtesy Sadie Cole...
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Album Of The Week
The Lead Review: Tristan Bath On Ulver's ATGCLVLSSCAP
With the exception of the late David Bowie, Ulver have to be the furthest wandering of mu...
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In Their Own Words
Suburban Guerrillas: Earl Brutus In Their Own Words
King’s Cross Scala, Saturday March 20, 1999. There is half an hour before showtime and th...
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