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Features
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Anniversary
25 Years On: Happy Mondays’ Yes Please! Revisited
Happy Mondays started 1992 in a very dark place and things only got darker as the year pr...
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Spool's Out
Spool's Out: What's Great On Cassette This September
Spool’s Out Radio #114: Unconscious Archives Pt. 1 Earlier this month on Spool’s Out Radio, we...
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Art
Folkestone Is An Art School: At The Triennial
Alex Hartley, Wall, commissioned by the Creative Foundation for Folkestone Triennial 2017. Image...
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Art
Painting The American Dream: Jasper Johns At The RA
Jasper Johns, Flag, 1958. Encaustic on canvas. 105.1 x 154.9 cm. Private collection Jasper ...
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Hyperspecific
Hyperspecific: August And September's Electronic Music
In the last edition of this column, back in July, I used the usual introductory gambit to...
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Album Of The Week
Let's Leave This Ordinary World Now: The Horrors' V
There's something visceral in this new album from The Horrors, a working-out of one's place - p...
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Features
Songs Of Discomposure: Quietus Writers Pick Their Most Disturbing Pieces Of Music
For this feature, we set our writers a brief: write about the most disturbing music you o...
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Escape Velocity
The Emancipation Of Sound: An Interview With Anna Zaradny
“No other art has such an intense mode of expression with such an abstract language.” Int...
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Baker's Dozen
Walk On In Darkness: Tom G Warrior's 13 Favourite LPs
In the dark and distant realm of the pre-internet world, some of the most otherworldly strands ...
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Junk Shop Classical
Junk Shop Classical on Vivaldi: Music Stories Told £1 LP By £1 LP
This might sound ridiculous, but if you’d walked into a record shop in 1955 on the hunt f...
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