The Strange World Of...
Yoko Ono
Features
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In Extremis
A Supreme Necrotic Audience: Anaal Nathrakh Interviewed
"Accessible" isn't a word one would ever be likely to use in describing Anaal Nathrakh. "Frig...
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Strange World Of...
The Strange & Frightening World Of: PULP
Pulp Peel Sessions - The Wireless, 1981, 1993, 1994, 2001 Listen to the Pulp Peel Sessions on...
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Escape Velocity
Rudely Visionary: Planningtorock Interviewed
Planningtorock is the solo project of Berlin-based, Bolton-bred Janine Rostron. After the ope...
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A Quietus Interview
The Musical Osteopath: An Interview With Woebot
Simon Reynold's once described his role as both a critical analyst and unreconstructed prose...
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In Their Own Words
Jonathan Donahue On The Troubled Birth Of Mercury Rev's Deserter's Songs
Today, just about two hours ago is the first time I've heard 'The Happy End' in about ten yea...
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Books
Ohhh! Vienna: Writer Lewis Crofts On Egon Schiele
We meet by Green Park at noon, just round the corner from Richard Nagy's new gallery on Old B...
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Rockfort
How Not To Run A Record Label: Bertrand Burgalat On 15 Years Of Tricatel
July 2006, before a performance at a night called French Disconnection, Bertrand Burgalat is ...
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Features
Property Of The Club: Boys Noize On His Favourite Acid House Tracks
Phuture – 'Acid Tracks' When did you first hear Acid Tracks? Alexander Ridha: Good questi...
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Anniversary
A Lot Of Opportunities: Pet Shop Boys' Please Revisited
What would you want from a debut album? Instant success, hit singles and a worldwide fanbase or...
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A Quietus Interview
Metaphysical Headphones & Dead Sounds: Lone Pigeon Interviewed
Gordon Anderson, AKA Lone Pigeon, is telling us all a story. He's on stage in a church hall i...
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