The Strange World Of...
Yoko Ono
Features
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Escape Velocity
The Happy Balance: An Interview With Jessica Winter
Photos by Nan Moore Jessica Winter came to music as if by necessity; as a child, she was diagno...
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Books
Close To Him: Tom Sheehan’s Pictures Of The Cure
The Cure 1995 (c) Tom Sheehan I have to admit I can't recall exactly when I first saw my first ...
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Art
Still Lives: Hannah Starkey’s Pictures Of Women
Hannah Starkey, Untitled, August 2012, 2012. C-type photographic print mounted on aluminium. Cou...
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Album Of The Week
Rapid Eye Movements: Saccades By Rian Treanor & Ocen James
There’s a frantic, jittery energy to Rian Treanor's music. Released by Planet Mu in 2020, the Y...
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Subscriber Area
Judge Not, Lest Ye be Judged: Joel McIver On 2012 Film Dredd
The worst film ever made is not Judge Dredd, the 1995 Sylvester Stallone vehicle: that title go...
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Baker's Dozen
Kernow Calling: Mark Jenkin’s Favourite Albums
Photo by Steve Tanner Mark Jenkin had every intention of tidying his studio, but the day before...
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A Quietus Interview
Use Your Days: An Interview With Gina Birch
Photo by Eva Vermandel “I tend not to censor myself,” Gina Birch – post punk icon and founding ...
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Hyperspecific
Hyperspecific: Electronic Music For January Reviewed By Jaša Bužinel
dvidevat. Photo by Marcel Obal As I was recently preparing the list of the best electronic musi...
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Live Reviews
Big Music: The Cure Live At Wembley Arena
Photos courtesy of Jim Dyson One of the few things I can still agree with Leon Trotsky on is th...
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Escape Velocity
The Upward Trajectory: An Interview With Memorials Of Distinction
Photo by Georgie Stott “I’m an embarrassing David Brent friend first, manager second kind of th...
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